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That could be, although I just saw it more as simply a quick glimpse at the bliss of release from a difficult life. But I don't doubt the idea about a slave's death being unremarkable, save for the fact that property was lost, is the point Jones was making.
I thought the small bits where a couple people died and Jones continues on in the storytelling without any kind of pause were pretty cool. One second someone is being shot and the next second they are visiting with family in by and by.
Why I haven't bought a single audio book yet I have no idea.
Dangerous Visions - Harlan Ellison
The Android's Dream - John Scalzi
The Gospel Singer - Harry Crews
Gentlemen of the Road - Michael Chabon
Rant - Chuck Palahniuk
The Known World - Edward P. Jones
I'm a bit past half way and I really like it. I am interested in, amongst other things, the relationship between Henry and Robbins. Without giving anything away, there is a scene between those two and Henry's slave Moses that really helps solidify the image of William Robbins for me. He is not...
This is the movie that I have chosen to use as the generic example of all that is crap nowadays in the horror genre and that which Hollywood produces more generally as well. Whenever I show a film in class that actually centers around a story of some kind and the kids always whine and I say...
I heard Rushdie interviewed on The Diane Rehm show a couple weeks back as he was promoting The Enchantress of Florence. He mentioned a quote from his friend Umberto Eco who said "when books are like mine I don't like them and when they are not like mine I also do not like them."
I like how on some books it gives what it considers similar books and it also often gives books that the author recommends (i.e. has written a blurb for).
^Wow. That's pretty cool.
I am in the New York City area around the turn of the 20th century listening to Emma Goldman lecture Evelyn Nesbit about what it means to prostitute one's self.