direstraits
Well-Known Member
Now this has been bothering me for a while. A friend of mine once said of Bon Jovi, "I don't listen to them, they are too commercial for me."
My immediate thoughts were: What the heck does that mean? Are 'commercial' works somehow inferior? When does something get labelled as being commercial, anyway? When it is successful and appeals to more people than your favourite band?
Like music, I see there's a line drawn between 'commercial' books and less known but critical works.
I question the implication that commercialism automatically equals crap. Sure, I understand Bon Jovi may not be everybody's cup of tea. Not everybody likes J. K. Rowling or Stephen King or Crichton or whoever, but is it a rational dislike? Do readers spend precious time reading, evaluating and finding out for themselves, or is it a reactionary feeling based on highbrow views? Are less mainstream works more deserved of critical praise?
In other words, in your opinion:
1. Are bestsellers automatically crap, or just said to be crap by people who profess to a higher sense of taste?
2. Why does the word 'commercial' carry such negative connotations?
I know there a lot to be said of works that are really poor but does very well on the bestseller lists (i.e. Stewart's alter-ego Abu's very lucid arguments against Dan Brown's facts). But what of works that are genuinely good, *and* sell very well?
This subject can also (maybe even more so) be applied to music, but I'll keep it to books.
What are your thoughts?
ds
My immediate thoughts were: What the heck does that mean? Are 'commercial' works somehow inferior? When does something get labelled as being commercial, anyway? When it is successful and appeals to more people than your favourite band?
Like music, I see there's a line drawn between 'commercial' books and less known but critical works.
I question the implication that commercialism automatically equals crap. Sure, I understand Bon Jovi may not be everybody's cup of tea. Not everybody likes J. K. Rowling or Stephen King or Crichton or whoever, but is it a rational dislike? Do readers spend precious time reading, evaluating and finding out for themselves, or is it a reactionary feeling based on highbrow views? Are less mainstream works more deserved of critical praise?
In other words, in your opinion:
1. Are bestsellers automatically crap, or just said to be crap by people who profess to a higher sense of taste?
2. Why does the word 'commercial' carry such negative connotations?
I know there a lot to be said of works that are really poor but does very well on the bestseller lists (i.e. Stewart's alter-ego Abu's very lucid arguments against Dan Brown's facts). But what of works that are genuinely good, *and* sell very well?
This subject can also (maybe even more so) be applied to music, but I'll keep it to books.
What are your thoughts?
ds