Sitaram
kickbox
Imagine, an orphaned infant, genuflecting,
Within the womb of wilderness, naked, poised,
Upon the brink of an age of wandering,
In wordless wondering, begin to cry
In desperation, only to recoil
In fear of its own alien sound, and fall
Prostrate with an ear upturned to hear
Ululations echoing against some distant mountain,
Flood with hope, extend his hand to crawl
To an inarticulate but kindred call.
So a poem sets itself in motion.
What historian could then recall
Which path would chronicle his first inclination?
His travel as inaccessible to reason
As the wandering of a child's imagination,
His outset was to be as inauspicious as the change of seasons,
His journey confusion in comparison
To a swallow's perigean migration
Yet not as random as the bee afield.
Across the motley palate of the plain he moved motivelessly,
Pressing in it's sand his prints, removed unnoticibly
By inland winds upon their seaward journey,
Unfolding in the sky mauve maps of clouds.
A bird above unfurled its call aloud
Which billowed in the light as long as heaven would allow,
Only to fade and fall below unheard.
Although the senses in the child conversed in many senses of the word,
The world without awaited yet a word.
The bird, sole witness to this genesis,
Progressed to the horizon's recesses anonymous.
The words within the world awaited witness as
A poet's pages spread upon a desk in idleness.
His eyes were at a daisy's height to see
Portentous colors of the seeds to be
And hosts of vibrant insects trembling in a sonorous monotony,
Reverberating in his ears as in the chambers of that petalody.
In emulation of them now he hummed,
But fell short of their floral melody.
What geographer can now describe
A land unrolled before him as a scroll before a scribe
Who sits, pen-poised above the blankness, awaiting manuscript?
The newly risen sun looked on behind him.
The shadows of his movements stretching out before him pleased him and enticed him.
He strained to grasp their strange, elusive features,
To understand these alien suggestive creatures.
He reached to touch them but was touched himself amid the sand
By his hand's shadow and the shadow's hand.
His arm extended, palm upon the ground,
He found his body's balance too unsound
To pause and dwell upon the shadow's gesture
Until he'd drawn his knees beneath him and advanced himself an equal measure.
What philosopher is there to give this question answer?
Can an infant be construed a hero
On pilgrimage in such chiaroscuro
Who is, and is not, author of his actions
But is unconsciously both the creator and beholder of attractions
Which beckon to him in no language but by innuendo
Intimate to him the way in which to go.
The artist, first as artisan, creates
A sentence. As he reads it, it dictates
Succeeding sentences. And he must wait
To see what subtleties he may impose
Upon the language as the poem grows;
And seek perfection only in repose
From composition, repose from artistry;
Stand back as mere beholder, in order to see.
Inland, beyond the littoral, the shore,
In this uncertain wilderness, obscured
In rolling plains which imitate
A moment in the ocean's attitudes,
The sun and infant moved and, as they moved, composed
Their motions in the shadows as emotions in the spirit are composed.
In a sonnet which would speak to a beloved and addresses but a rose.
- Sitaram
(circa 1970)
Within the womb of wilderness, naked, poised,
Upon the brink of an age of wandering,
In wordless wondering, begin to cry
In desperation, only to recoil
In fear of its own alien sound, and fall
Prostrate with an ear upturned to hear
Ululations echoing against some distant mountain,
Flood with hope, extend his hand to crawl
To an inarticulate but kindred call.
So a poem sets itself in motion.
What historian could then recall
Which path would chronicle his first inclination?
His travel as inaccessible to reason
As the wandering of a child's imagination,
His outset was to be as inauspicious as the change of seasons,
His journey confusion in comparison
To a swallow's perigean migration
Yet not as random as the bee afield.
Across the motley palate of the plain he moved motivelessly,
Pressing in it's sand his prints, removed unnoticibly
By inland winds upon their seaward journey,
Unfolding in the sky mauve maps of clouds.
A bird above unfurled its call aloud
Which billowed in the light as long as heaven would allow,
Only to fade and fall below unheard.
Although the senses in the child conversed in many senses of the word,
The world without awaited yet a word.
The bird, sole witness to this genesis,
Progressed to the horizon's recesses anonymous.
The words within the world awaited witness as
A poet's pages spread upon a desk in idleness.
His eyes were at a daisy's height to see
Portentous colors of the seeds to be
And hosts of vibrant insects trembling in a sonorous monotony,
Reverberating in his ears as in the chambers of that petalody.
In emulation of them now he hummed,
But fell short of their floral melody.
What geographer can now describe
A land unrolled before him as a scroll before a scribe
Who sits, pen-poised above the blankness, awaiting manuscript?
The newly risen sun looked on behind him.
The shadows of his movements stretching out before him pleased him and enticed him.
He strained to grasp their strange, elusive features,
To understand these alien suggestive creatures.
He reached to touch them but was touched himself amid the sand
By his hand's shadow and the shadow's hand.
His arm extended, palm upon the ground,
He found his body's balance too unsound
To pause and dwell upon the shadow's gesture
Until he'd drawn his knees beneath him and advanced himself an equal measure.
What philosopher is there to give this question answer?
Can an infant be construed a hero
On pilgrimage in such chiaroscuro
Who is, and is not, author of his actions
But is unconsciously both the creator and beholder of attractions
Which beckon to him in no language but by innuendo
Intimate to him the way in which to go.
The artist, first as artisan, creates
A sentence. As he reads it, it dictates
Succeeding sentences. And he must wait
To see what subtleties he may impose
Upon the language as the poem grows;
And seek perfection only in repose
From composition, repose from artistry;
Stand back as mere beholder, in order to see.
Inland, beyond the littoral, the shore,
In this uncertain wilderness, obscured
In rolling plains which imitate
A moment in the ocean's attitudes,
The sun and infant moved and, as they moved, composed
Their motions in the shadows as emotions in the spirit are composed.
In a sonnet which would speak to a beloved and addresses but a rose.
- Sitaram
(circa 1970)