Suggestions: July 2006 Book of the Month **Non-Fiction Only**

[mehastings]

Suggest non-fiction books on any topic.

Thread will close May 15.

A maximum of ten books will be put to the vote.

If more than 10 books are suggested, then books which have more than one nomination will take priority (books with three nominations get priority over books with two etc).

The remainder will be put forward in the order they are suggested (with only one book per member) until the 10 voting slots are filled.

PS: Please post a description. I don't always have time to do it myself!

 

[Ronny]

I think Devil In Thae White City by Erik Larson would be a good choice and appeal to many that are not usually into reading nonfiction

Publisher's Weekly-Not long after Jack the Ripper haunted the ill-lit streets of 1888 London, H.H. Holmes (born Herman Webster Mudgett) dispatched somewhere between 27 and 200 people, mostly single young women, in the churning new metropolis of Chicago; many of the murders occurred during (and exploited) the city's finest moment, the World's Fair of 1893. Larson's breathtaking new history is a novelistic yet wholly factual account of the fair and the mass murderer who lurked within it. Bestselling author Larson (Isaac's Storm) strikes a fine balance between the planning and execution of the vast fair and Holmes's relentless, ghastly activities. The passages about Holmes are compelling and aptly claustrophobic; readers will be glad for the frequent escapes to the relative sanity of Holmes's co-star, architect and fair overseer Daniel Hudson Burnham, who managed the thousands of workers and engineers who pulled the sprawling fair together 0n an astonishingly tight two-year schedule. A natural charlatan, Holmes exploited the inability of authorities to coordinate, creating a small commercial empire entirely on unpaid debts and constructing a personal cadaver-disposal system. This is, in effect, the nonfiction Alienist, or a sort of companion, which might be called Homicide, to Emile Durkheim's Suicide. However, rather than anomie, Larson is most interested in industriousness and the new opportunities for mayhem afforded by the advent of widespread public anonymity. This book is everything popular history should be, meticulously recreating a rich, pre-automobile America on the cusp of modernity, in which the sale of "articulated" corpses was a semi-respectable trade and serial killers could go well-nigh unnoticed.

 

[pontalba]

Oh! I'll second Devil in the White City! I have it in my TBR stack..Yay!

 

[unKeMPt]

Just throwing it out there:

Patrimony by Philip Roth -- An account of the death by cancer of the father of the acclaimed author.
Shaking Hands with the Devil by Romeo Dallaire -- About the Rwandan Genocide from the perspective of the UN forces leader.
Arc of Justice by Kevin Boyle -- Won the 2004 National Book Award. About a court case (with Clarence Darrow) in Detroit in which a number of black men are arrested for the murder of a white man while protecting their home from a mob.

I've read the first and third and can vouch for their quality. The second is just one that looks really interesting to me.

 

[unKeMPt]

Just throwing it out there:

Patrimony by Philip Roth -- An account of the death by cancer of the father of the acclaimed author.
Shaking Hands with the Devil by Romeo Dallaire -- About the Rwandan Genocide from the perspective of the UN forces leader.
Arc of Justice by Kevin Boyle -- Won the 2004 National Book Award. About a court case (with Clarence Darrow) in Detroit in which a number of black men are arrested for the murder of a white man while protecting their home from a mob.

I've read the first and third and can vouch for their quality. The second is just one that looks really interesting to me.

Okay, I think I have the hang of this now. I was looking through previous threads and seeing how this process worked previously, so I apologize for that earlier post. That said, please ignore that post and know that I formally nominate:

Shake Hands with the Devil by Romeo Dallaire

As former head of the late 1993 U.N. peacekeeping mission in Rwanda, Canadian general Dallaire's initial proposal called for 5,000 soldiers to permit orderly elections and the return of the refugees. Nothing like this number was supplied, and the result was an outright attempt at genocide against the Tutsis that nearly succeeded, with 800,000 dead over three months. The failure of the U.N.'s wealthier members to act as the tragedy unfolded obliged the author to leave military service to recover from PTSD (as well as the near breakdown of his family). While much of the account is a thickly described I-went-here, I went-there, I-met-X, I-said-this, one learns much more about the author's emotional states when making decisions than in a conventional military history, making this an important document of service—one that has been awarded Canada's Governor General's Award. And his descriptions of Rwanda's unraveling are disturbing, to say the least ("I then noticed large piles of blue-black bodies heaped on the creek banks"). Dallaire's argument that Rwanda-like situations are fires that can be put out with a small force if caught early enough will certainly draw debate, but the book documents in horrifying detail what happens when no serious effort is made.

 

[Shade]

Truman Capote - In Cold Blood

 

[Choc]

'Frozen in time'
- Owen Beattie & John Geiger

 

[jaynebosco]

I second In Cold Blood and Shake hands with the devil

 

[DiscoDan]

Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation
By Lynne Truss​

From Publishers Weekly
Who would have thought a book about punctuation could cause such a sensation? Certainly not its modest if indignant author, who began her surprise hit motivated by "horror" and "despair" at the current state of British usage: ungrammatical signs ("BOB,S PETS"), headlines ("DEAD SONS PHOTOS MAY BE RELEASED") and band names ("Hear'Say") drove journalist and novelist Truss absolutely batty. But this spirited and wittily instructional little volume, which was a U.K. #1 bestseller, is not a grammar book, Truss insists; like a self-help volume, it "gives you permission to love punctuation." Her approach falls between the descriptive and prescriptive schools of grammar study, but is closer, perhaps, to the latter. (A self-professed "stickler," Truss recommends that anyone putting an apostrophe in a possessive "its"-as in "the dog chewed it's bone"-should be struck by lightning and chopped to bits.) Employing a chatty tone that ranges from pleasant rant to gentle lecture to bemused dismay, Truss dissects common errors that grammar mavens have long deplored (often, as she readily points out, in isolation) and makes elegant arguments for increased attention to punctuation correctness: "without it there is no reliable way of communicating meaning." Interspersing her lessons with bits of history (the apostrophe dates from the 16th century; the first semicolon appeared in 1494) and plenty of wit, Truss serves up delightful, unabashedly strict and sometimes snobby little book, with cheery Britishisms ("Lawks-a-mussy!") dotting pages that express a more international righteous indignation.

 

[theoptimist]

I'd like to third In Cold Blood.

 

[Anamnesis]

I'll go with In Cold Blood and Eats, Leaves, and Shoots.

 

[Kookamoor]

I second "Eats, Shoots and Leaves".

I'd also like to nominate "Gun's, Germs and Steel" by Jared Diamond, because I saw a brief discussion about it elsewhere today, and some of the ideas are very interesting talking points and ideas, but I would argue not necessarily to be taken at face value.

See original text on Amazon.ca.
MacArthur fellow and UCLA evolutionary biologist Diamond (The Third Chimpanzee, 1992, etc.) takes as his theme no less than the rise of human civilizations. On the whole this is an impressive achievement, with nods to the historians, anthropologists, and others who have laid the groundwork. Diamond tells us that the impetus for the book came from a native New Guinea friend, Yali, who asked him, ``Why is it that you white people developed so much cargo and brought it to New Guinea, but we black people had little cargo of our own?'' The long and short of it, says Diamond, is biogeography. It just so happened that 13,000 years ago, with the ending of the last Ice Age, there was an area of the world better endowed with the flora and fauna that would lead to the take-off toward civilization: that valley of the Tigris and Euphrates rivers we now call the Fertile Crescent. There were found the wild stocks that became domesticated crops of wheat and barley. Flax was available for the development of cloth. There was an abundance of large mammals that could be domesticated: sheep, goats, cattle. Once agriculture is born and animals domesticated, a kind of positive feedback drives the growth toward civilization. People settle down; food surpluses can be stored so population grows. And with it comes a division of labor, the rise of an elite class, the codification of rules, and language. It happened, too, in China, and later in Mesoamerica. But the New World was not nearly as abundant in the good stuff. And like Africa, it is oriented North and South, resulting in different climates, which make the diffusion of agriculture and animals problematic. While you have heard many of these arguments before, Diamond has brought them together convincingly. The prose is not brilliant and there are apologies and redundancies that we could do without. But a fair answer to Yali's question this surely is, and gratifyingly, it makes clear that race has nothing to do with who does or does not develop cargo. (Book- of-the-Month Club/History Book Club/Quality Paperback Book Club selection) -- Copyright ©1997, Kirkus Associates, LP. All rights reserved. --This text refers to the Hardcover edition.

 

[pontalba]

I'd like to put forth A Beautiful Mind by Sylvia Nasar

From Publishers Weekly
Nasar has written a notable biography of mathematical genius John Forbes Nash (b. 1928), a founder of game theory, a RAND Cold War strategist and winner of a 1994 Nobel Prize in economics. She charts his plunge into paranoid schizophrenia beginning at age 30 and his spontaneous recovery in the early 1990s after decades of torment. He attributes his remission to will power; he stopped taking antipsychotic drugs in 1970 but underwent a half-dozen involuntary hospitalizations. Born in West Virginia, the flamboyant mathematical wizard rubbed elbows at Princeton and MIT with Einstein, John von Neumann and Norbert Wiener. He compartmentalized his secret personal life, shows Nasar, hiding his homosexual affairs with colleagues from his mistress, a nurse who bore him a son out of wedlock, while he also courted Alicia Larde, an MIT physics student whom he married in 1957. Their son, John, born in 1959, became a mathematician and suffers from episodic schizophrenia. Alicia divorced Nash in 1963, but they began living together again as a couple around 1970. Today Nash, whose mathematical contributions span cosmology, geometry, computer architecture and international trade, devotes himself to caring for his son. Nasar, an economics correspondent for the New York Times, is equally adept at probing the puzzle of schizophrenia and giving a nontechnical context for Nash's mathematical and scientific ideas.
Copyright 1998 Reed Business Information, Inc.

A throughly fascinating man.

 

[Ronny]

I'd like to put forth A Beautiful Mind by Sylvia Nasar



A throughly fascinating man.

That's on my TBR stack so I'll second

 

[Peder]

I'll third a Beautiful Mind, in case that helps. A rare picture of a real living and breathing mathematician doing real mathematics in the highest academic "towers of learning" with real-life personal problems in a real world.
Peder

 

[Ronny]

The book I started today is non-fiction and good so far, Don't Let's Go To The Dogs Tonight by Alexandra Fuller. I'll paste the Library Journal Review below.

It is difficult for most people even to imagine the world described in this book, let alone live in it as a child: the nights are dark, scary, and filled with strange noises; the people welcome you and despise you at the same time; there is a constant anxious feeling burning in your stomach, which, you later realize, is fear of the unrest surrounding you. The British-born Fuller grew up in Rhodesia (now Zimbabwe), losing three siblings to disease as her father fought in the Rhodesian civil war and her mother managed the farm. She approaches her childhood with reserve, leaving many stories open to interpretation while also maintaining a remarkable clarity about what really transpired in her homeland, in her own home, and in her head. The narrative seems complicated, weaving together war, politics, racial issues, and alcoholism, but its emotional core remains honest, playful, and unapologetic; it hardly seems possible that this 32-year-old has so much to say and says it so well. In this powerful debut, Fuller fully succeeds in memorializing the beauty of each desert puddle and each African summer night sky while also recognizing that beauty can lie hidden in the faces of those who have crossed her path. Highly recommended.-

 

[TheZeroGirl]

I will put forward a book that I actually haven't read yet: Sarah Vowel's Assassination Vacation.

From Publishers Weekly
Starred Review. What do you get when a woman who's obsessed with death and U.S. history goes on vacation? This wacky, weirdly enthralling exploration of the first three presidential assassinations. Vowell (The Partly Cloudy Patriot), a contributor to NPR's This American Life and the voice of teenage superhero Violet Parr in The Incredibles, takes readers on a pilgrimage of sorts to the sites and monuments that pay homage to Lincoln, Garfield and McKinley, visiting everything from grave sites and simple plaques (like the one in Buffalo that marks the place where McKinley was shot) to places like the National Museum of Health and Medicine, where fragments of Lincoln's skull are on display. An expert tour guide, Vowell brings into sharp focus not only the figures involved in the assassinations, but the social and political circumstances that led to each-and she does so in the witty, sometimes irreverent manner that her fans have come to expect. Thus, readers learn not only about how Garfield found himself caught between the Stalwarts and the Half-Breeds, bitterly divided factions of the Republican party, but how his assassin, Charles Guiteau, a supporter of the Stalwarts and an occasional member of the Oneida Community, "was the one guy in a free love commune who could not get laid." Vowell also draws frequent connections between past events and the present, noting similarities between McKinley's preemptive war against Cuba and the Philippines and the current war in Iraq. This is history at its most morbid and most fascinating and, fortunately, one needn't share Vowell's interest in the macabre to thoroughly enjoy this unusual tour. Copyright © Reed Business Information, a division of Reed Elsevier Inc.

 

[-Carlos-]

On Writing by Stephen King

Amazon.com

Short and snappy as it is, Stephen King's On Writing really contains two books: a fondly sardonic autobiography and a tough-love lesson for aspiring novelists. The memoir is terrific stuff, a vivid description of how a writer grew out of a misbehaving kid. You're right there with the young author as he's tormented by poison ivy, gas-passing babysitters, uptight schoolmarms, and a laundry job nastier than Jack London's. It's a ripping yarn that casts a sharp light on his fiction. This was a child who dug Yvette Vickers from Attack of the Giant Leeches, not Sandra Dee. "I wanted monsters that ate whole cities, radioactive corpses that came out of the ocean and ate surfers, and girls in black bras who looked like trailer trash." But massive reading on all literary levels was a craving just as crucial, and soon King was the published author of "I Was a Teen-Age Graverobber." As a young adult raising a family in a trailer, King started a story inspired by his stint as a janitor cleaning a high-school girls locker room. He crumpled it up, but his writer wife retrieved it from the trash, and using her advice about the girl milieu and his own memories of two reviled teenage classmates who died young, he came up with Carrie. King gives us lots of revelations about his life and work. The kidnapper character in Misery, the mind-possessing monsters in The Tommyknockers, and the haunting of the blocked writer in The Shining symbolized his cocaine and booze addiction (overcome thanks to his wife's intervention, which he describes). "There's one novel, Cujo, that I barely remember writing."

King also evokes his college days and his recovery from the van crash that nearly killed him, but the focus is always on what it all means to the craft. He gives you a whole writer's "tool kit": a reading list, writing assignments, a corrected story, and nuts-and-bolts advice on dollars and cents, plot and character, the basic building block of the paragraph, and literary models. He shows what you can learn from H.P. Lovecraft's arcane vocabulary, Hemingway's leanness, Grisham's authenticity, Richard Dooling's artful obscenity, Jonathan Kellerman's sentence fragments. He explains why Hart's War is a great story marred by a tin ear for dialogue, and how Elmore Leonard's Be Cool could be the antidote.

King isn't just a writer, he's a true teacher. --Tim Appelo

 

[Erica]

I'd like to 2nd
'On Writing' by Stephen King

 

[DiscoDan]

Ooh "On Writing" is really good, i'll give it a 3rd