Suggestions: March 2007 Book of the Month

[mehastings]

Suggestions: March 2007 Book of the Month

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Suggestions to close January 15.

 

[-Carlos-]

The Curious Incident of the Dog in the Night-Time by Mark Haddon



Mark Haddon's bitterly funny debut novel, The Curious Incident of the Dog in the Night-Time, is a murder mystery of sorts--one told by an autistic version of Adrian Mole. Fifteen-year-old Christopher John Francis Boone is mathematically gifted and socially hopeless, raised in a working-class home by parents who can barely cope with their child's quirks. He takes everything that he sees (or is told) at face value, and is unable to sort out the strange behavior of his elders and peers.

Late one night, Christopher comes across his neighbor's poodle, Wellington, impaled on a garden fork. Wellington's owner finds him cradling her dead dog in his arms, and has him arrested. After spending a night in jail, Christopher resolves--against the objection of his father and neighbors--to discover just who has murdered Wellington. He is encouraged by Siobhan, a social worker at his school, to write a book about his investigations, and the result--quirkily illustrated, with each chapter given its own prime number--is The Curious Incident of the Dog in the Night-Time.

Haddon's novel is a startling performance. This is the sort of book that could turn condescending, or exploitative, or overly sentimental, or grossly tasteless very easily, but Haddon navigates those dangers with a sureness of touch that is extremely rare among first-time novelists. The Curious Incident of the Dog in the Night-Time is original, clever, and genuinely moving: this one is a must-read.

 

[Prairie_Girl]

The Inheritance of Loss by Kiran Desai

From Publishers Weekly
Starred Review. This stunning second novel from Desai (Hullabaloo in the Guava Orchard) is set in mid-1980s India, on the cusp of the Nepalese movement for an independent state. Jemubhai Popatlal, a retired Cambridge-educated judge, lives in Kalimpong, at the foot of the Himalayas, with his orphaned granddaughter, Sai, and his cook. The makeshift family's neighbors include a coterie of Anglophiles who might be savvy readers of V.S. Naipaul but who are, perhaps, less aware of how fragile their own social standing is—at least until a surge of unrest disturbs the region. Jemubhai, with his hunting rifles and English biscuits, becomes an obvious target. Besides threatening their very lives, the revolution also stymies the fledgling romance between 16-year-old Sai and her Nepalese tutor, Gyan. The cook's son, Biju, meanwhile, lives miserably as an illegal alien in New York. All of these characters struggle with their cultural identity and the forces of modernization while trying to maintain their emotional connection to one another. In this alternately comical and contemplative novel, Desai deftly shuttles between first and third worlds, illuminating the pain of exile, the ambiguities of post-colonialism and the blinding desire for a "better life," when one person's wealth means another's poverty.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
*Starred Review* Desai's Hullabaloo in the Guava Orchard (1998) introduced an astute observer of human nature and a delectably sensuous satirist. In her second novel, Desai is even more perceptive and bewitching. Set in India in a small Himalayan community along the border with Nepal, its center is the once grand, now decaying home of a melancholy retired judge, his valiant cook, and beloved dog. Sai, the judge's teenage granddaughter, has just moved in, and she finds herself enmeshed in a shadowy fairy tale-like life in a majestic landscape where nature is so rambunctious it threatens to overwhelm every human quest for order. Add violent political unrest fomented by poor young men enraged by the persistence of colonial-rooted prejudice, and this is a paradise under siege. Just as things grow desperate, the cook's son, who has been suffering the cruelties accorded illegal aliens in the States, returns home. Desai is superbly insightful in her rendering of compelling characters and in her wisdom regarding the perverse dynamics of society. Like Salman Rushdie in Shalimar the Clown (2005), Desai imaginatively dramatizes the wonders and tragedies of Himalayan life and, by extension, the fragility of peace and elusiveness of justice, albeit with her own powerful blend of tenderness and wit. Donna Seaman
Copyright © American Library Association. All rights reserved

 

[Anamnesis]

What Was She Thinking: Notes on a Scandal by Zoë Heller. Description from B&N.com:

More than a decade ago, Kazuo Ishiguro wowed readers with The Remains of the Day, a novel requiring readers to see past the self-deceptions of an uppity English narrator to understand the true significance of the story. In the same vein, Zoë Heller offers a riveting story of friendship, jealousy, and betrayal, with a narrator as unreliable as Ishiguro's infamous butler.
Heller's narrator is Barbara Covett, a British schoolteacher who lives a quiet, solitary life with an aging cat as her sole companion. For reasons she cannot comprehend, Barbara has never been good at making friends. But she is drawn to Sheba, a pretty new pottery teacher, and jealously tries to edge out the other teachers to win Sheba's friendship. When Sheba begins an inappropriate relationship with a young male student, it is Barbara in whom she confides. Soon, Barbara begins a written account of Sheba's illicit affair, detailing the actions of a woman caught in the grip of an obsession larger than herself.

As Barbara continues to infiltrate Sheba's life, their friendship acquires a dangerous undercurrent. And although the book title ostensibly refers to Sheba, readers might ask themselves the same question of Barbara, as this psychologically rich, complex tale unfolds. In penning her wickedly wonderful second novel, Zoë Heller certainly had her head squarely on her shoulders.

 

[mehastings]

I usually keep out of it, but in light of the slim number of suggestions, I'm going to nominate a book. I've read a couple of Carl Hiaasen's books lately, and I'm dying to read more. They're humerous without being stupid, and easy to come across. So....

Sick Puppy by Carl Hiaasen

From The Publisher:

When Palmer Stoat notices the black pickup truck following him on the highway, he fears his precious Range Rover is about to be carjacked. But Twilly Spree, the man tailing Stoat, has vengeance, not sport-utility vehicles, on his mind. Idealistic, independently wealthy and pathologically short-tempered, Twilly has dedicated himself to saving Florida's wilderness from runaway destruction. He favors unambiguous political statements -- such as torching Jet-Skis or blowing up banks -- that leave his human targets shaken but re-educated.

After watching Stoat blithely dump a trail of fast-food litter out the window, Twilly decides to teach him a lesson. Thus, Stoat's prized Range Rover becomes home to a horde of hungry dung beetles. Which could have been the end to it had Twilly not discovered that Stoat is one of Florida's cockiest and most powerful political fixers, whose latest project is the "malling" of a pristine Gulf Coast island. Now the real Hiaasen-variety fun begins ...

Dognapping eco-terrorists, bogus big-time hunters, a Republicans-only hooker, an infamous ex-governor who's gone back to nature, thousands of singing toads and a Labrador retriever greater than the sum of his Labrador parts -- these are only some of the denizens of Carl Hiaasen's outrageously funny new novel.

Brilliantly twisted entertainment wrapped around a powerful ecological plea, Sick Puppy gleefully lives up to its title and gives us Hiaasen at his riotous and muckraking best.

 

[unKeMPt]

I nominate Cloud Atlas by David Mitchell.

Mitchell's virtuosic novel presents six narratives that evoke an array of genres, from Melvillean high-seas drama to California noir and dystopian fantasy. There is a naïve clerk on a nineteenth-century Polynesian voyage; an aspiring composer who insinuates himself into the home of a syphilitic genius; a journalist investigating a nuclear plant; a publisher with a dangerous best-seller on his hands; and a cloned human being created for slave labor. These five stories are bisected and arranged around a sixth, the oral history of a post-apocalyptic island, which forms the heart of the novel. Only after this do the second halves of the stories fall into place, pulling the novel's themes into focus: the ease with which one group enslaves another, and the constant rewriting of the past by those who control the present. Against such forces, Mitchell's characters reveal a quiet tenacity. When the clerk is told that his life amounts to "no more than one drop in a limitless ocean," he asks, "Yet what is any ocean but a multitude of drops?"

 

[mehastings]

LAST DAY!! Make a suggestion.