SFG75
Well-Known Member
The New York Times has an excellent article regarding Zoe Heller and her new book. In reading the article, I learned that a key criticism of her is the fact that her characters are hard for readers to *relate* to if you will.
I would be curious to know what others think of this, especially of her characters in particular. I'm not certain that readers necessarily like characters based on whether or not they could sit down and have a cup of coffee with them. I for one, think it's more of a matter of a character showing depth or the author creating a lot of detail regarding a given character. Dialogue alone without background information or thoughts from other characters leads to a rather shallow, not to use the term to harshly, reading. I did enjoy her previous book and if I remember correctly, it was one of our book of the month selections that was fairly decent in regards to being an active topic.
:lol:Ms. Heller was a bit dismayed to learn that some readers found “there were no sympathetic characters,” that “they didn’t want to spend time with them,” or that they “were not inspiring in any way.”
That isn’t necessarily surprising. She is, after all, famously adept at depicting unpleasant characters like the obsessive English schoolteacher, Barbara Covett, in “What Was She Thinking? Notes on a Scandal,” her 2003 novel that was later turned into a movie with Cate Blanchett and Judi Dench. Ms. Heller, 43, prefers insight to amiability.
“I don’t write books for people to be friends with the characters,” Ms. Heller said as she tucked into a spartan brunch of a boiled egg and seven-grain toast. “If you want to find friends, go to a cocktail party.”
I would be curious to know what others think of this, especially of her characters in particular. I'm not certain that readers necessarily like characters based on whether or not they could sit down and have a cup of coffee with them. I for one, think it's more of a matter of a character showing depth or the author creating a lot of detail regarding a given character. Dialogue alone without background information or thoughts from other characters leads to a rather shallow, not to use the term to harshly, reading. I did enjoy her previous book and if I remember correctly, it was one of our book of the month selections that was fairly decent in regards to being an active topic.