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Alan Hollinghurst: The Line Of Beauty

Mike

New Member
An outstanding novel indeed, truly a magnificent piece of work, a novel deserving of praise and the recognition that the Booker 2004 prize gives it. Brilliantly written, Alan Hollinghurst could describe the back of a cornflake packet and it would be interesting, the descriptive passages coupled with a witty yet fully engaging character dialogue make this novel a real reading pleasure. Undoubtedly homo- erotic in places, sometimes graphically so, the narrative never goes too far into the lurid to make reading uncomfortable; in fact the whole Gay experience is so well handled, so efficiently written with the exemplary narrative that it is a delight to have the whole experience of - for me- a hitherto shadowy world of homosexual life made crystal clear. Hollinghurst's main character lives in eighties London and the eighties are summed up to perfection in everyway - all the images of the eighties are there, the Tories with Margaret Thatcher, Stockbrokers, Yuppies drinking champagne and snorting cocaine. Yet all those stereotypes (if they are stereotypes for one can find these reference points easily in any history of eighties Britain) don't appear to make the narrative clichéd at all, especially if one has first hand knowledge of the eighties in London.

The main character Nick has an awakening in the early eighties and we see his rise through the eighties to his decline. The characters in the novel appear to match the times so perfectly - the dawning of the Thatcher age, the rise and rise and then the inevitable fall - summing up the eighties so well indeed. Like looking forward to a huge party, the feeling of great things happening, the party and then the hangover and the cold light of day. Pleasure seemingly without consequence hedonism taken to extreme - there is creeping inevitability to the story and the reader is drawn along as many were in those strange days 20 years ago. The characters start so well with so much to look forward to and they are swept along in the social whirlwind that just so perfectly sums up the age. Sexual awakenings help along the mood of a new age and the heady mix of sex, drugs and wealth beyond limit attract the characters like moths to a flame. Funny yet poignant too I was drawn into the world so brilliantly described by the author, the seasons that change in London match the mood as the narrative eases along, never hurrying to the inevitable conclusion that becomes clear to the reader. I couldn't help but warm to the characters and really feel for them but I couldn't warn them so I too was taken on the journey as well. I felt so superbly engaged with the characters all through the narrative that the plot , thin as it really is didn't matter at all, the characters mattered most of all. Genuinely warm and funny as well the narrative never lingers to allow time for reflection, I fear that if the pace slowed we may see the profligacy, the self-denial or delusion even that runs as a counter thread throughout the novel.

Many reviewers have said that this novel sums up the eighties - it does and does it so well that one is there in the heart of Thatcher's Britain in London's Kensington. The perfection of the eighties rise and fall is mirrored in the lives of the characters drawn for us by the author. I haven't read such an engaging, entertaining and highly evocative novel for a long time. References to Henry James abound - the title is explained by James references in the narrative yet the whole Line of Beauty runs seamlessly throughout - sexual references, the lines of Coke and the fine line between families, loyalty and secrets. Superb in every sense though its eighties references and graphic homosexuality may make it not suitable for every reader I for one feel that it must go into my most favourite list of books. I could not find fault with any aspect though I may too have been carried away as those were in the eighties so perhaps within the novel is a greater lesson for the reader, one of restraint, its hard to fathom. But then again when the nineties came along like a hangover the eighties did seem like a big party gone wrong!!. A must read for all!!
 
The only problem with your wonderful reviews is that you make everything seem so interesting, and I don't have time to read everything.
 
Just bear them in mind then when you see it in a charity shop or when someone asks what book you'd like then you can get it knowing it isn't a turkey!!

That said I did say on another forum that I was concerned whether this book about 80's Britain could make the journey across the pond - the 80's were a strange time indeed in the UK.
 
I borrowed this book from the library a week ago, and it's next on my reading list, right after "The Count of Monte Cristo". :)

I'll let you know what I think of it. ;)
 
It’s a beautifully written book. To be honest, I don’t think I would have read it, had it not won the Man Booker Prize. Anyways I’m glad I read it, because I believe “The Line of Beauty” is about much more than just gay sex.
At times Nick’s sexual adventures were described with too many details, but I survived. :)

If I was to describe this novel, I would have quoted something Nick said about a script to a movie:
”It’s about someone who loves things more than people. And who ends up with nothing of course.”
That was my first impression about this book, and I feel it also implies something in regard to Nick’s character.

It was Nick’s relationship with the Fedden’s that interested me the most. I still wonder why he attached himself to a family like that. I know he had feelings for Toby, but surely that’s no reason for moving into their home?
Was it because they were rich and famous? You don’t choose who you want for parents, or family, for that matter. I found it to be rather odd.
I felt he didn’t fit in, you know, in the “glamorous society”, no matter how hard he tried. I also got the impression he felt somehow superior to them all in certain occasions, because of his knowledge about art and architecture and the like.

However, the title of Part 2: “To whom do you beautifully belong?” taken from one of Henry James’ work of fiction, was splendid. ;)
 
I'm 300 pages into it at the moment and its a slog; but a good slog. The first section, to be honest, bored me a little but since starting the second section I've been breezing through it. I like the style of full on description with the occasional bit of dialogue to complete the scene.
 
Alan Hollinghurst’s fourth novel, The Line of Beauty, follows the story of Nick Guest, a lodger of the wealthy Fedden family, through the landslide years of the Conservative government in the 1980s. A bildungsroman, split into three sections, it observes Nick over four years as he climbs the social ladder, led by his dreams of wealth, status, and beauty, which ultimately lead to his downfall.

Nick has engineered his rise by befriending, at university, the son of minor MP Gerald Fedden, Toby, to whom he is attracted. Post-Oxford, he has moved into the home of the Feddens, an invite from Toby. The tale follows Nick’s first romance with Leo, a black social worker, and then moves on to his relationship with a beautiful millionaire, before dwelling on his eventual downfall. Throughout these events, which make up the aforementioned sections, the author examines the 1980s socially, politically, and beautifully.

First, the language; The Line of Beauty’s prose is a homage to Henry James, and Hollinghurst has it perfect, his contemporary take allowing less ambiguity with description. And it’s the description that exemplifies this novel; long, sweeping sentences, realistic action, and colourful observations, of the players’ thoughts and expressions, all punctuated with enough dialogue to complete, without being indulgent, every scene. With such detail on display, the novel takes its time, but the gradually developing arena Hollinghurst is showing us becomes a world in its own right.

Throughout the narrative, running at an unhurried pace, the characters are exemplary. The aesthete Nick Guest, so aptly named, searches for beauty in everything around him while being less than perfect himself. The Fedden patriarch, Gerald, an MP and philistine, chases his ambitions of having the Prime Minister, referred to as ‘the Lady’, to his house, and having his likeness realised by satirical puppet show, Spitting Image. Nick’s lovers (Leo, comic; the millionaire, hedonistic) draw empathy, while all the others in his life, having their positives and negatives traits, walk confidently off the page. Even Toby’s sister, Catriona, fittingly nicknamed ‘the Cat’, being the black sheep of the family, is perfectly realised, from her early neurosis, passing her chemically induced crests and troughs, to her rebellion from the family and unerring desire to tell the truth.

And the 1980s, as a setting, provides a reflection on a depressing period in British history: unemployment is on the rise, the rich are getting richer, and AIDS is a grim shadow waiting to kill those who aren’t careful. Moving in closer, to the London locations, the novel is rife with upper class dwellings, in which airy rooms are decorated with striking aesthetics despite the ignorance, Nick being the exception, of the occupants. The art, vases, paintings, and furniture, in the Feddens’ house serves only to demonstrate status, something Gerald is always striving to improve.

When Hollinghurst won the 2004 Booker Prize for The Line of Beauty, it became the first piece of gay fiction to take receipt of the award. There are, as you may expect in such a book, some scenes of homosexual sex, but the author, with great skill, doesn’t delve too deeply into being graphic, ensuring a comfortable read, and, in doing so, reveals facets of gay life that, to many readers, may have been unknown before.

The Line of Beauty is a triumph for literature; its characters are complex and engaging, its setting real without being nostalgic, and its themes thoroughly explored. It takes no moral stance, allowing the reader to decide as to the motivations of its characters and to their comeuppance. Its set pieces are incredibly wrought, the scene with Nick, high on cocaine, dancing with Margaret Thatcher, when Feddens achieves one of his dreams, being of particular merit. The humour also, for it is incredibly witty, shines out from the events and the dialogue, and it gives that little bit of light to what is, in essence, a tragic novel. At just over five hundred pages, it is a long book, but taking the time to read it proves that each page is worth it; in fact, it’s a book of beauty.
 
I started The Line Of Beauty on Saturday and I'm about half-way through it. So far so good!

The prose is amazing and brilliantly written, I'm aching to finish it!
 
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