CDA said:
Peder,
Your posts always give me loads to think about, even if i don't respond or comment.
I see what you're saying with your points, but it doesn't - or wouldn't - put me off reading a book like that. Could this all be down to de-sensitisation?
It's interesting that you say that what you read strikes you as perfectly possible. Could it be that Sebold's experiences have also had an effect here in her writing? This is just me mulling things over in my head and it's probably rubbish, but i just thought I'd stick my oar in, as they say.
CDA,
No, what you are wondering about is absolutely not rubbish!
And I wouldn't exactly use the word de-sensitization, either, although it was one of the first to cross my mind. That word suggests that it is the readers who are insensitive to murder, which I really doubt.
I have wondered why people have been able to react to
Lovely Bones differently than I would have expected, and my thoughts run along the lines of attributing it to the author, and to the manner in which the author tells the story. And deliberate 'distancing' by the author is the technique I guessed might be at work, and the word I would use.
Before I looked at the book I speculated that the author might have played down the personality of the girl, and presented relatively little information about her, in order to prevent the reader becoming too attached to her. In addition, in a very neat plot touch, the girl isn't really gone. The reader sees her right there in Heaven, I gather, so she really hasn't been killed dead, so to speak, especially if details of the murder are sparse and down-played.
Conversely, I speculated that the surviving family members were probably presented in much greater detail and with more rounded sympathetic characters, which were written to arouse the reader's empathy and engage the reader in
that part of the story. So it didn't strike me as impossible that people could enjoy the book. I put that down to the author's skill in telling the story and controlling the reader's reactions by the skillful manner and sequence in which she presented information about the events of the story.
And I didn't think it was impossible that I too could see the story that way and enjoy it.
But it was the utter reality of the early sentences I described that were the roadblock for me. Her own experience no doubt has everything to do with that! Maybe if I just skipped the first x pages I would find myself able to enjoy it also, because the idea of the girl in Heaven seeing how things are going down here on Earth, and interacting if I read one recommendation correctly, sounds like an interesting story.
Thanks for your post,
It makes me think also,
Peder
PS Please ask more questions any time you wish