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I wanted to do the used book shop thing quite badly and a few years ago I did a fair amount of research into the used book shop area. I found that unless you're in an area of high foot traffic (uni/college town/malls) expect to be one of those businesses that fails in the first year. Online book stores have too much competition in the form of cheap new books from Amazon, ereaders/ebooks, free ebooks, many established online cheap used books stores, clearing houses who have better access/price negotiations for stock than you. I also chatted to a couple of used book shop owners in London, and their concerns were related to rising rents. Two of those subsequently closed due to the rent issue. You would need to be online as well, and often shops use that to subsidise poor shop takings.
I think it's very easy to have that lovely 'Christopher Morley' idea of a used bookshop, when the realisation is those days are likely passed, unless you're very niche/established already. If you're a smaller shop expect this to be a very low profit business too.
I think the popularity of ereaders and ebook distribution model in the future will really harm the new and used book selling bricks and mortar stores out there already, and kill off all but a few used bookshops.
That said, I still would love to have a used book store, ideally run from a country cottage in a small picturesque hamlet somewhere... I picture a pot of tea permanently on the go, pipe smoke drifting from the back office along with classical music or some radio drama from the wireless, and a slow but steady footfall of paying customers...<insert sigh here>...
I want to get my copy of The Haunted Bookshop out and re-read it.
I always wanted my own bookshop, but reality reared its ugly head, and I got a job to pay the bills.
Plus, I'm not sure how good a bookseller that I would be. I love my own books so much, I have a feeling I'd get attached to the books in my store, and I'd yank them out of people's hands if they tried to buy them.
In 2002 my husband and I purchased a cafe with the intention of making it into a bookshop cafe. We had enough money to buy the business but not enough capital to add the books. Since I'd never worked in hospitality before we decided to run it as a cafe to get a feel of it and then expand the business with the books. I resigned from my library position but my husband continued on with his work so this gave us the confidence to give this a go. We had the cafe for a year. We now call this the SHIT year.
After six months I began thinking we'd made a mistake. After eight months I was in tears. At ten months we put it on the market and as soon as the business was bought I drove away from there and didn't even look in my rearview mirror.
Small business is hard. I will never do that again. Never, ever, ever.
Sorry that didn't pan out as you had hoped, but I've got to take my hat off to you and everyone who actually gives these things a shot. Otherwise you'd never know right! Better to rack up the odd 'shit year' (I have) than wonder if it'd ever have panned out.
I work in a very big library, but in P.R. Really big libraries need a lot of different kinds of professionals who don't have the actual title Librarian. Popular these days: finance, budget, grant-writing, etc. What kind of consulting do you do?
The advantage: You're working in a library. The disadvantage: It's possible to work the whole day and not really get to work with books.
I was an associate editor in a past life. I reviewed submissions and wrote evaluations on the books. Basically I filtered the manuscripts coming into the publisher and put forth only the best works to the managing editor. It's not as glamorous as you think. Sometimes there are works that are pure trash from page 1 that you can't help but be sorry for all the trees that were cut down to print out the manuscript. And then there are those beautiful ones that break your heart because it never gets published for the lack of commercial appeal.
I was an associate editor in a past life. I reviewed submissions and wrote evaluations on the books. Basically I filtered the manuscripts coming into the publisher and put forth only the best works to the managing editor. It's not as glamorous as you think. Sometimes there are works that are pure trash from page 1 that you can't help but be sorry for all the trees that were cut down to print out the manuscript. And then there are those beautiful ones that break your heart because it never gets published for the lack of commercial appeal.