A lot of what I want to say has pretty much been said by other posters, so I'll try to be succinct.
It is true that comics today are intended more for adults than children; for that matter I think that shift had already started in the 1970s and '80s. Several of the Batman comics I have from 1983-85 (when I was still less than 10 years old) were written for fairly sophisticated readers and a bit intense with their violence.
Granted, a tale of the Penguin seeking out US defense secrets to hold the entire nation hostage isn't going to win a literary award, but compared to Batman stories of the '50s and '60s they were rather intelligent.
Same goes for the Spider-Man comics I read back then. They weren't as violent, but were more sophisticated compared to their counterparts from 20 years earlier.
I would say that the majority of comics are still produced for and marketed to young people, mainly because of their fantastic subject matter, whether it be superheroes, fantasy, sci-fi or horror. But the medium itself can be used to produce artistic work with meaning, depth and purpose just as much as traditional literature. The Sandman (which I haven't actually read) and DC's Arkham Asylum are good examples off the top of my head, and I'm sure other members here could think of a lot more.
It's just that most people who read Dickens and the like aren't likely to read even the most sophisticated comics. That's why I didn't really get along with one of my college English profs who taught the first creative writing course I took. She didn't like genre fiction of any kind; I don't think that fiction has to be about an old lesbian in Florida to have literary merit.
It is true that comics today are intended more for adults than children; for that matter I think that shift had already started in the 1970s and '80s. Several of the Batman comics I have from 1983-85 (when I was still less than 10 years old) were written for fairly sophisticated readers and a bit intense with their violence.
Granted, a tale of the Penguin seeking out US defense secrets to hold the entire nation hostage isn't going to win a literary award, but compared to Batman stories of the '50s and '60s they were rather intelligent.
Same goes for the Spider-Man comics I read back then. They weren't as violent, but were more sophisticated compared to their counterparts from 20 years earlier.
I would say that the majority of comics are still produced for and marketed to young people, mainly because of their fantastic subject matter, whether it be superheroes, fantasy, sci-fi or horror. But the medium itself can be used to produce artistic work with meaning, depth and purpose just as much as traditional literature. The Sandman (which I haven't actually read) and DC's Arkham Asylum are good examples off the top of my head, and I'm sure other members here could think of a lot more.
It's just that most people who read Dickens and the like aren't likely to read even the most sophisticated comics. That's why I didn't really get along with one of my college English profs who taught the first creative writing course I took. She didn't like genre fiction of any kind; I don't think that fiction has to be about an old lesbian in Florida to have literary merit.