I just finished Monkeys by Susan Minot. It's an autobiographical novel, and two of her siblings have written about a similar time period in the family, so I might seek those out to compare. (George Minot, The Blue Bowl; and Eliza Minot, The Tiny One). Monkeys is a great example of minimalist fiction, moving through 20 years or so in terse vignettes. It worked so well that it's expanded my ideas about how to write descriptive, character-driven fiction.
Now I'm reading The Constant Gardener by John LeCarre. About 1/3 the way through. I've read all LeCarre's other works, including the new Absolute Friends. Like AF, the Constant Gardener has polemical passages that I could live without, but it's better written in terms of the main plotline (a murder) and discovery process. The characters are far more sympathetic, IMO, though I have to admit a weakness for British colonialist settings and I'm a blatant anglophile (married to it). Aside from that, I also think The Honourable Schoolboy and Tinker Tailor are two very fine books that will stand as THE classic Cold War spy novels.
Martin, I'm interested in the books you've read--The Crow Road and High Society. I saw the BBC prod. of The Crow road and thought it OK. I couldn't find any excerpts of The Crow Road online. Would you describe the writing as rich and dense or more minimal and sassy or some other way entirely?
Novella