We LOVE books and hope you'll join us in sharing your favorites and experiences along with your love of reading with our community. Registering for our site is free and easy, just CLICK HERE!
Already a member and forgot your password? Click here.
Dan Brown was utterly spoiled for me when I read Deception Point first. I don't follow any hype, and I just grabbed that one from an airport spinner for killing a trans-Atlantic crossing--the seatback barfbag may have been a better read.Sorry guys I have to agree with Steffe. Brown's books are great and suspenseful, after I read a chapter of the Da Vinci Code, I want to read the next chapter because he ends his chapters in suspense making the reader want to know what's going to happen next.
But I don't believe in religion. There isn't a singe religious bone in my body!!
~Midnight~
Brown could've had his heros all sprout wings and flewn away from the danger. That would've been no less incredulous.
I believe the power of Dan Brown is very simple: He exists entirely to make us feel smart. He is devoted to reader empowerment like Keats was devoted to euphony. Every clause, every punctuation mark, every plot twist, puzzle, and factoid is engineered precisely to flatter our intelligence. This isn’t necessarily something to sneer at; I don’t think Brown is a cynical panderer. It’s just that his “pleasure-the-reader” instincts (an unconscious authorial cocktail that every writer has) push him, very urgently, to satisfy one of our most primal human needs: the lust to be oriented, to master one’s environment, to recognize patterns, to process chaos into order. The Da Vinci Code is intelligibility porn: You get the satisfaction of understanding, over and over, without any of the real-world effort. (...) His characters get strategically dense at key moments, puzzling for so long over increasingly obvious clues that even the slowest reader is forced, almost accidentally, to solve the mystery.
I believe the power of Dan Brown is very simple: He exists entirely to make us feel smart. He is devoted to reader empowerment like Keats was devoted to euphony. Every clause, every punctuation mark, every plot twist, puzzle, and factoid is engineered precisely to flatter our intelligence. This isn’t necessarily something to sneer at; I don’t think Brown is a cynical panderer. It’s just that his “pleasure-the-reader” instincts (an unconscious authorial cocktail that every writer has) push him, very urgently, to satisfy one of our most primal human needs: the lust to be oriented, to master one’s environment, to recognize patterns, to process chaos into order. The Da Vinci Code is intelligibility porn: You get the satisfaction of understanding, over and over, without any of the real-world effort. (...) His characters get strategically dense at key moments, puzzling for so long over increasingly obvious clues that even the slowest reader is forced, almost accidentally, to solve the mystery.
Shouldn't this be merged into the existing Dan Brown thread (one of many)?
no, but it's too late nowShouldn't this be merged into the existing Dan Brown thread (one of many)?
no, but it's too late now
I got these as audio books from emusic because it was cheap but do you know of other cheaper places?
You are correct; similar threads should be merged. When I saw the new post I considered doing so but it's just that Dan Brown wasn't worth the effort, IMO. :whistling:Just out of curiosity, why not? I thought that was some sort of policy here - don't start a new thread if there's a perfectly good old one?
My favourite things about the new Dan Brown novel, The Lost Symbol? These two sentences:
"'Actually, Katherine, it's not gibberish.' His eyes brightened again with the thrill of discovery. 'It's ... Latin.'"
and
"Is there life after death? Do humans have souls? Incredibly, Katherine had answered all of these questions and more."
His miracle is to have made Jeffrey Archer read like Dostoevsky in comparison.