SFG75
Well-Known Member
I read this article and I knew it would make for one heck of a good conversation starter on this board. Here is a good synopsis of the argument.
I don't think anyone could argue that there is a difference between popular and classical literature. I'm not certain how to explain the difference, but I know that Stephen King is not Steinbeck, nor would I even mention him in the same breaht as say Ernest Hemingway. However, I do believe he is within a stone's throw to Saul Bellow.
So, does "popular=bad" as the old saying goes?
Is the idea that popular literature outsells classical literature a myth as the authors states?
Are recent works really that bad, or are recent critics just that out of touch?
What is noteworthy to me is that the best literature is in reality popular literature as well. For too long, the literary have accepted the fallacy that popular fiction equals bad fiction (and that popular fiction tends to sell better than literary fiction). This is simply not the case any longer. Junot Diaz's brilliant The Extraordinary Life of Oscar Wao was a massive bestseller. This year's winner for fiction, Paul Harding's Tinkers, now has over 100,000 copies in print despite being published by the tiny Bellevue Literary Press. What's wonderful about this changing book landscape is that, in the time it took Bellevue Literary Press to go back to press when Tinkers went out of stock, readers could immediately download it to their Kindles and Nooks. This summer's most talked-about book, The Passage, is a Stephen King-esque apocalyptic vampire novel...written by a Justin Cronin, a PEN/Hemingway award-winning author.
The vast majority of mainstream newspapers and magazines simply do not review genre fiction. In fact, the only true 'genre' book to receive any type of widespread coverage this summer (other than The Passage) has been Glenn Beck's thriller The Overton Window. Needless to say the book is not receiving coverage because of its entertainment value, but because of the media platform of its author. Can you imagine a movie magazine that ignored any films not directed by Ken Burns or Jim Jarmusch? This is essentially what most book sections have become. They have operated under the mantra of "popular=bad" for so long that readers and critics are even more disconnected than your average AT&T cell phone call.
I don't think anyone could argue that there is a difference between popular and classical literature. I'm not certain how to explain the difference, but I know that Stephen King is not Steinbeck, nor would I even mention him in the same breaht as say Ernest Hemingway. However, I do believe he is within a stone's throw to Saul Bellow.
So, does "popular=bad" as the old saying goes?
Is the idea that popular literature outsells classical literature a myth as the authors states?
Are recent works really that bad, or are recent critics just that out of touch?