RitalinKid
New Member
The book so far is a very good read. For me, the characters and situations are easy to identify with.
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namedujour said:I just finished reading "The Memory of Running" by Ron McLarty. It was excellent. It took me a few pages to get used to the very casual tone of the narrator, but that wasn't an issue at all.
The author takes very bleak subject matter (the sudden death of the narrator's parents, and learning of the death of his older sister, who has been a street person for 20 years) and writes a book that is funny, but never ever makes the bleakness of the issues funny. His humor is self-deprecating - he refers to his 279 pound self as a "fat-ass" and a drunk. However, his sister's psychosis is never the object of humor, even though the narration weaves humor into and around the stories of her as they were growing up.
The book moves from one time frame to another, first the present, then the past, back and forth. In the present, he bicycles across the US to claim his sister's body from an L.A. morgue, and in the process comes to grips with his guilt over his complete abandonment of a childhood friend who was paralyzed in a car accident. In the past, he reminisces about the sister, trying to understand what happened to her, and why nobody could save her from the "Voice" that kept ordering her to be self-destructive.
You would think from all that the book would be depressing, but it isn't. There is just enough humor to keep the whole thing afloat and you turning pages. I really recommend this one - I really, really do!
namedujour said:I just finished reading "The Memory of Running" by Ron McLarty. It was excellent. It took me a few pages to get used to the very casual tone of the narrator, but that wasn't an issue at all.
The author takes very bleak subject matter (the sudden death of the narrator's parents, and learning of the death of his older sister, who has been a street person for 20 years) and writes a book that is funny, but never ever makes the bleakness of the issues funny. His humor is self-deprecating - he refers to his 279 pound self as a "fat-ass" and a drunk. However, his sister's psychosis is never the object of humor, even though the narration weaves humor into and around the stories of her as they were growing up.
The book moves from one time frame to another, first the present, then the past, back and forth. In the present, he bicycles across the US to claim his sister's body from an L.A. morgue, and in the process comes to grips with his guilt over his complete abandonment of a childhood friend who was paralyzed in a car accident. In the past, he reminisces about the sister, trying to understand what happened to her, and why nobody could save her from the "Voice" that kept ordering her to be self-destructive.
You would think from all that the book would be depressing, but it isn't. There is just enough humor to keep the whole thing afloat and you turning pages. I really recommend this one - I really, really do!
Yes, it's hard to know where to start. I'll give you some of my impressions.RitalKid said:I've started to write a post three times now, and I still can't find the words to describe what all I like about this book, so here's a real lame attempt. Smithy was this everyday guy who had trouble dealing with the events of his life, and despite being a self proclaimed coward, somehow he comes off as a hero by dealing with his problems in an unusual way. Norma made it all possible though; she was a great supporting character. It seemed like her love of the Smithy she remembered helped carry him.
Yes, he used the alcohol, cigarettes and food to buffer himself from reality and the people around him. Not having them available was a major factor in getting back to 'himself'. I think the change in him was very subtle. He didn't suddenly have an epiphany and totally change his personality. Rather, he started listening to what was going on in and around him again. He saw the good and bad in people and and didn't turn away. Bit by bit, he allowed Norma to become part of his journey (and life) again. And the ending, where he's able to say "I love you, too" to Norma is a huge change. People who don't like themselves usually think they are unloveable and have a hard time accepting the fact that someone else could find them loveable. (Have you ever noticed that people with poor self esteem have difficulty maintaining relationships? They either reject the other person outright or end up sabatoging the relationship. But, I digress.)I don't remember seeing a change in him (other than the obvious physical change). I think he's just removed himself from the alcohol, cigarettes and food that have been numbing him to the world, allowing him to slip by unnoticed in life. His vices allow him to be content with ignoring his problems.
This was something I liked about the story; it was realistic. In the movies, people almost always have epiphanies at a climax in the story. Most people's lives don't have a climax. I agree with you about the importance of him being able to tell Norma that he loved her. I think we saw that coming, and I was ready for it. It is real easy to numb yourself to what's happening around you.Ell said:I think the change in him was very subtle. He didn't suddenly have an epiphany and totally change his personality. Rather, he started listening to what was going on in and around him again. He saw the good and bad in people and and didn't turn away. Bit by bit, he allowed Norma to become part of his journey (and life) again. And the ending, where he's able to say "I love you, too" to Norma is a huge change.
Thanks for strengthening my belief that I am, in fact, Smithy.Ell said:People who don't like themselves usually think they are unloveable and have a hard time accepting the fact that someone else could find them loveable.
Norma was key. She gave him money to start his journey, but that wasn't her main role. She supported him all along the way. She cried when he didn't call her, and she let him know that she wanted to hear from him. She answered the phone at all hours. Smithy knew he could always count on Norma. What a great woman. What a great person.Ell said:He's a good guy, but doesn't know it - something that Norma knows all along.
1. When he turned down Chris, it made the story very idealistic for me. I'm sorry, Ell, but guys have a serious problem dealing with the soft skin that higher estrogen levels afford women. That scene was so sexy. Geez, what a fantasy!Ell said:RK, I had to laugh at your comment about Smithy's obsession with breasts. I have no idea why he's so fixated. You're a guy - you're supposed to know. But, must say when he turned down that offer from Chris, it made me like him even more! (Women are big on the loyalty thing, ya know.)