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Favourite Poems
- Thread starter Deerskin
- Start date
Meadow337
Former Moderator
I mean the fornicating autocensor, of course. Sorry for the confusion.
LOL no worries. I just wasn't 100% sure you were agreeing with me or expressing your opinion of nonsense poetry
I wouldn't put it quite so earthily but yes I agree #$%^#$%^ autocensor.
algren
New Member
algren
New Member
I have quite a number of favourites. Here is one:
As I Walked Out One Evening
by Wystan Hugh Auden
As I walked out one evening,
Walking down Bristol Street,
The crowds upon the pavement
Were fields of harvest wheat.
And down by the brimming river
I heard a lover sing
Under an arch of the railway:
'Love has no ending.
'I'll love you, dear, I'll love you
Till China and Africa meet,
And the river jumps over the mountain
And the salmon sing in the street,
'I'll love you till the ocean
Is folded and hung up to dry
And the seven stars go squawking
Like geese about the sky.
'The years shall run like rabbits,
For in my arms I hold
The Flower of the Ages,
And the first love of the world.'
But all the clocks in the city
Began to whirr and chime:
'O let not Time deceive you,
You cannot conquer Time.
'In the burrows of the Nightmare
Where Justice naked is,
Time watches from the shadow
And coughs when you would kiss.
'In headaches and in worry
Vaguely life leaks away,
And Time will have his fancy
To-morrow or to-day.
'Into many a green valley
Drifts the appalling snow;
Time breaks the threaded dances
And the diver's brilliant bow.
'O plunge your hands in water,
Plunge them in up to the wrist;
Stare, stare in the basin
And wonder what you've missed.
'The glacier knocks in the cupboard,
The desert sighs in the bed,
And the crack in the tea-cup opens
A lane to the land of the dead.
'Where the beggars raffle the banknotes
And the Giant is enchanting to Jack,
And the Lily-white Boy is a Roarer,
And Jill goes down on her back.
'O look, look in the mirror,
O look in your distress:
Life remains a blessing
Although you cannot bless.
'O stand, stand at the window
As the tears scald and start;
You shall love your crooked neighbour
With your crooked heart.'
It was late, late in the evening,
The lovers they were gone;
The clocks had ceased their chiming,
And the deep river ran on.
I love this dramatic irony Auden is so good at.
As I Walked Out One Evening
by Wystan Hugh Auden
As I walked out one evening,
Walking down Bristol Street,
The crowds upon the pavement
Were fields of harvest wheat.
And down by the brimming river
I heard a lover sing
Under an arch of the railway:
'Love has no ending.
'I'll love you, dear, I'll love you
Till China and Africa meet,
And the river jumps over the mountain
And the salmon sing in the street,
'I'll love you till the ocean
Is folded and hung up to dry
And the seven stars go squawking
Like geese about the sky.
'The years shall run like rabbits,
For in my arms I hold
The Flower of the Ages,
And the first love of the world.'
But all the clocks in the city
Began to whirr and chime:
'O let not Time deceive you,
You cannot conquer Time.
'In the burrows of the Nightmare
Where Justice naked is,
Time watches from the shadow
And coughs when you would kiss.
'In headaches and in worry
Vaguely life leaks away,
And Time will have his fancy
To-morrow or to-day.
'Into many a green valley
Drifts the appalling snow;
Time breaks the threaded dances
And the diver's brilliant bow.
'O plunge your hands in water,
Plunge them in up to the wrist;
Stare, stare in the basin
And wonder what you've missed.
'The glacier knocks in the cupboard,
The desert sighs in the bed,
And the crack in the tea-cup opens
A lane to the land of the dead.
'Where the beggars raffle the banknotes
And the Giant is enchanting to Jack,
And the Lily-white Boy is a Roarer,
And Jill goes down on her back.
'O look, look in the mirror,
O look in your distress:
Life remains a blessing
Although you cannot bless.
'O stand, stand at the window
As the tears scald and start;
You shall love your crooked neighbour
With your crooked heart.'
It was late, late in the evening,
The lovers they were gone;
The clocks had ceased their chiming,
And the deep river ran on.
I love this dramatic irony Auden is so good at.
Meadow337
Former Moderator
Pied Beauty
By Gerard Manley Hopkins
Glory be to God for dappled things –
For skies of couple-colour as a brinded cow;
For rose-moles all in stipple upon trout that swim;
Fresh-firecoal chestnut-falls; finches’ wings;
Landscape plotted and pieced – fold, fallow, and plough;
And áll trádes, their gear and tackle and trim.
All things counter, original, spare, strange;
Whatever is fickle, freckled (who knows how?)
With swift, slow; sweet, sour; adazzle, dim;
He fathers-forth whose beauty is past change:
Praise him.
By Gerard Manley Hopkins
Glory be to God for dappled things –
For skies of couple-colour as a brinded cow;
For rose-moles all in stipple upon trout that swim;
Fresh-firecoal chestnut-falls; finches’ wings;
Landscape plotted and pieced – fold, fallow, and plough;
And áll trádes, their gear and tackle and trim.
All things counter, original, spare, strange;
Whatever is fickle, freckled (who knows how?)
With swift, slow; sweet, sour; adazzle, dim;
He fathers-forth whose beauty is past change:
Praise him.
Meadow337
Former Moderator
This made me chuckle. Aah men, we love 'em.
Something Nasty In The Bookshop
Between the Gardening and the Cookery
Comes the brief Poetry shelf;
By the Nonesuch Donne, a thin anthology
Offers itself.
Critical, and with nothing else to do,
I scan the Contents page,
Relieved to find the names are mostly new;
No one my age.
Like all strangers, they divide by sex:
Landscape Near Parma
Interests a man, so does The Double Vortex,
So does Rilke and Buddha.
“I travel, you see”, “I think” and “I can read'
These titles seem to say;
But I Remember You, Love is my Creed,
Poem for J.,
The ladies’ choice, discountenance my patter
For several seconds;
From somewhere in this (as in any) matter
A moral beckons.
Should poets bicycle-pump the human heart
Or squash it flat?
Man’s love is of man’s life a thing apart;
Girls aren’t like that.
We men have got love well weighed up; our stuff
Can get by without it.
Women don’t seem to think that’s good enough;
They write about it.
And the awful way their poems lay them open
Just doesn’t strike them.
Women are really much nicer than men:
No wonder we like them.
Deciding this, we can forget those times
We stayed up half the night
Chock-full of love, crammed with bright thoughts, names, rhymes,
And couldn’t write.
Kingsley Amis
Something Nasty In The Bookshop
Between the Gardening and the Cookery
Comes the brief Poetry shelf;
By the Nonesuch Donne, a thin anthology
Offers itself.
Critical, and with nothing else to do,
I scan the Contents page,
Relieved to find the names are mostly new;
No one my age.
Like all strangers, they divide by sex:
Landscape Near Parma
Interests a man, so does The Double Vortex,
So does Rilke and Buddha.
“I travel, you see”, “I think” and “I can read'
These titles seem to say;
But I Remember You, Love is my Creed,
Poem for J.,
The ladies’ choice, discountenance my patter
For several seconds;
From somewhere in this (as in any) matter
A moral beckons.
Should poets bicycle-pump the human heart
Or squash it flat?
Man’s love is of man’s life a thing apart;
Girls aren’t like that.
We men have got love well weighed up; our stuff
Can get by without it.
Women don’t seem to think that’s good enough;
They write about it.
And the awful way their poems lay them open
Just doesn’t strike them.
Women are really much nicer than men:
No wonder we like them.
Deciding this, we can forget those times
We stayed up half the night
Chock-full of love, crammed with bright thoughts, names, rhymes,
And couldn’t write.
Kingsley Amis
algren
New Member
I've loved this poem for ages. Thank you for giving me an opportunity to read it again.
algren
New Member
Here is another one by somebody from Kingsley Amis's generation:
Death of a Poet
by Charles Causley
Suddenly his mouth filled with sand.
His tractor of blood stopped thumping.
He held five icicles in each hand.
His heart packed up jumping.
His face turned the colour of something forgotten in the larder.
His thirty-two teeth were expelled on the kitchen floor.
His muscles, at long last, got considerably harder.
He felt younger than he had for some time before.
Four heroes, steady as wrestlers, each carried him on a shoulder
Into a great grey church laid out like a brain.
An iron bowl sent out stiff rays of chrysanthemums. It grew colder.
The sun, as expected, failed to break through the pane.
The parson boomed like a dockyard gun at a christening.
Somebody read from the bible. It seemed hours.
I got the feeling you were curled up inside the box, listening.
There was the thud of hymn-books, the stench of flowers.
I remembered hearing your voice on a bloody foment
Of Atlantic waters. The words burned clear as a flare.
Life begins, you said, as of this moment.
A bird flew down out of the hurling air.
Over the church a bell broke like a wave upended.
The hearse left for winter with a lingering hiss.
I looked in the wet sky for a sign, but no bird descended.
I went across the road to the pub; wrote this.
Death of a Poet
by Charles Causley
Suddenly his mouth filled with sand.
His tractor of blood stopped thumping.
He held five icicles in each hand.
His heart packed up jumping.
His face turned the colour of something forgotten in the larder.
His thirty-two teeth were expelled on the kitchen floor.
His muscles, at long last, got considerably harder.
He felt younger than he had for some time before.
Four heroes, steady as wrestlers, each carried him on a shoulder
Into a great grey church laid out like a brain.
An iron bowl sent out stiff rays of chrysanthemums. It grew colder.
The sun, as expected, failed to break through the pane.
The parson boomed like a dockyard gun at a christening.
Somebody read from the bible. It seemed hours.
I got the feeling you were curled up inside the box, listening.
There was the thud of hymn-books, the stench of flowers.
I remembered hearing your voice on a bloody foment
Of Atlantic waters. The words burned clear as a flare.
Life begins, you said, as of this moment.
A bird flew down out of the hurling air.
Over the church a bell broke like a wave upended.
The hearse left for winter with a lingering hiss.
I looked in the wet sky for a sign, but no bird descended.
I went across the road to the pub; wrote this.
gonewiththewind
Member
I love Edward Markham. I was lucky enough to find a first edition of some of his poems in very good shape. I am now inspired to sit and read his work...
The Man with the Hoe
By Edwin Markham 1852–1940 Edwin Markham
Written after seeing Millet’s World-Famous Painting
God made man in His own image,
in the image of God made He him. —Genesis.
Bowed by the weight of centuries he leans
Upon his hoe and gazes on the ground,
The emptiness of ages in his face,
And on his back the burden of the world.
Who made him dead to rapture and despair,
A thing that grieves not and that never hopes,
Stolid and stunned, a brother to the ox?
Who loosened and let down this brutal jaw?
Whose was the hand that slanted back this brow?
Whose breath blew out the light within this brain?
Is this the Thing the Lord God made and gave
To have dominion over sea and land;
To trace the stars and search the heavens for power;
To feel the passion of Eternity?
Is this the Dream He dreamed who shaped the suns
And marked their ways upon the ancient deep?
Down all the stretch of Hell to its last gulf
There is no shape more terrible than this—
More tongued with censure of the world’s blind greed—
More filled with signs and portents for the soul—
More fraught with danger to the universe.
What gulfs between him and the seraphim!
Slave of the wheel of labor, what to him
Are Plato and the swing of Pleiades?
What the long reaches of the peaks of song,
The rift of dawn, the reddening of the rose?
Through this dread shape the suffering ages look;
Time’s tragedy is in that aching stoop;
Through this dread shape humanity betrayed,
Plundered, profaned and disinherited,
Cries protest to the Judges of the World,
A protest that is also prophecy.
O masters, lords and rulers in all lands,
is this the handiwork you give to God,
This monstrous thing distorted and soul-quenched ?
How will you ever straighten up this shape;
Touch it again with immortality;
Give back the upward looking and the light;
Rebuild in it the music and the dream;
Make right the immemorial infamies,
Perfidious wrongs, immedicable woes?
O masters, lords and rulers in all lands,
How will the Future reckon with this Man?
How answer his brute question in that hour
When whirlwinds of rebellion shake the world?
How will it be with kingdoms and with kings—
With those who shaped him to the thing he is—
When this dumb Terror shall reply to God
After the silence of the centuries?
ChaosTheory
Active Member
I Look Into My Glass
I look into my glass,
And view my wasting skin,
And say, "Would God it came to pass
My heart had shrunk as thin!"
For then, I, undistrest
By hearts grown cold to me,
Could lonely wait my endless rest
With equanimity.
But Time, to make me grieve,
Part steals, lets part abide;
And shakes this fragile frame at eve
With throbbings of noontide.
--Thomas Hardy
I look into my glass,
And view my wasting skin,
And say, "Would God it came to pass
My heart had shrunk as thin!"
For then, I, undistrest
By hearts grown cold to me,
Could lonely wait my endless rest
With equanimity.
But Time, to make me grieve,
Part steals, lets part abide;
And shakes this fragile frame at eve
With throbbings of noontide.
--Thomas Hardy
Meadow337
Former Moderator
13. Pied Beauty
GLORY be to God for dappled things—
For skies of couple-colour as a brinded cow;
For rose-moles all in stipple upon trout that swim;
Fresh-firecoal chestnut-falls; finches’ wings;
Landscape plotted and pieced—fold, fallow, and plough; 5
And áll trádes, their gear and tackle and trim.
All things counter, original, spare, strange;
Whatever is fickle, freckled (who knows how?)
With swift, slow; sweet, sour; adazzle, dim;
He fathers-forth whose beauty is past change: 10
Praise him.
Gerald Manly Hopkins
GLORY be to God for dappled things—
For skies of couple-colour as a brinded cow;
For rose-moles all in stipple upon trout that swim;
Fresh-firecoal chestnut-falls; finches’ wings;
Landscape plotted and pieced—fold, fallow, and plough; 5
And áll trádes, their gear and tackle and trim.
All things counter, original, spare, strange;
Whatever is fickle, freckled (who knows how?)
With swift, slow; sweet, sour; adazzle, dim;
He fathers-forth whose beauty is past change: 10
Praise him.
Gerald Manly Hopkins
Despair
I have experienc'd
The worst, the World can wreak on me--the worst
That can make Life indifferent, yet disturb
With whisper'd Discontents the dying prayer--
I have beheld the whole of all, wherein
My Heart had any interest in this Life,
To be disrent and torn from off my Hopes
That nothing now is left. Why then live on ?
That Hostage, which the world had in it's keeping
Given by me as a Pledge that I would live--
That Hope of Her, say rather, that pure Faith
In her fix'd Love, which held me to keep truce
With the Tyranny of Life--is gone ah ! whither ?
What boots it to reply ? 'tis gone ! and now
Well may I break this Pact, this League of Blood
That ties me to myself--and break I shall !
Samuel Taylor Coleridge
I have experienc'd
The worst, the World can wreak on me--the worst
That can make Life indifferent, yet disturb
With whisper'd Discontents the dying prayer--
I have beheld the whole of all, wherein
My Heart had any interest in this Life,
To be disrent and torn from off my Hopes
That nothing now is left. Why then live on ?
That Hostage, which the world had in it's keeping
Given by me as a Pledge that I would live--
That Hope of Her, say rather, that pure Faith
In her fix'd Love, which held me to keep truce
With the Tyranny of Life--is gone ah ! whither ?
What boots it to reply ? 'tis gone ! and now
Well may I break this Pact, this League of Blood
That ties me to myself--and break I shall !
Samuel Taylor Coleridge
ChaosTheory
Active Member
COME IN -- Robert Frost:
As I came to the edge of the woods,
Thrush music -- hark!
Now if it was dusk outside,
Inside it was dark.
Too dark in the woods for a bird
By sleight of wing
To better its perch for the night,
Though it still could sing.
The last of the light of the sun
That had died in the west
Still lived for one song more
In a thrush's breast.
Far in the pillared dark
Thrush music went --
Almost like a call to come in
To the dark and lament.
But no, I was out for stars;
I would not come in.
I meant not even if asked;
And I hadn't been
As I came to the edge of the woods,
Thrush music -- hark!
Now if it was dusk outside,
Inside it was dark.
Too dark in the woods for a bird
By sleight of wing
To better its perch for the night,
Though it still could sing.
The last of the light of the sun
That had died in the west
Still lived for one song more
In a thrush's breast.
Far in the pillared dark
Thrush music went --
Almost like a call to come in
To the dark and lament.
But no, I was out for stars;
I would not come in.
I meant not even if asked;
And I hadn't been
Meadow337
Former Moderator
ChaosTheory
Active Member
Meadow337
Former Moderator
That's what I love about it
Well I must confess I'm a Robert Frost fan. "Mending Wall" has made its way into something I'm writing - or rather it inspired a story within the story.
DATo
Active Member
Not necessarily in this order....
The Cloud - Percy Bysshe Shelley
The Fool's Prayer - Edward R. Sill
Ozymandias - Percy Bysshe Shelley
Ode To A Nightengale - John Keats
Renascence - Edna St. Vincent Millay
Annabel Lee - Edger Allen Poe
Gunga Din - Rudyard Kipling
Ode On A Grecian Urn - John Keats
The Charge Of The Light Brigade - Alfred (Lord) Tennyson
Dirge Without Music - Edna St. Vincent Millay
Old Ironsides - Oliver Wendell Holmes
Sonnet 116 - Shakespeare
Sonnet 18 - Shakespeare
Sonnet 29 - Shakespeare
The Cloud - Percy Bysshe Shelley
The Fool's Prayer - Edward R. Sill
Ozymandias - Percy Bysshe Shelley
Ode To A Nightengale - John Keats
Renascence - Edna St. Vincent Millay
Annabel Lee - Edger Allen Poe
Gunga Din - Rudyard Kipling
Ode On A Grecian Urn - John Keats
The Charge Of The Light Brigade - Alfred (Lord) Tennyson
Dirge Without Music - Edna St. Vincent Millay
Old Ironsides - Oliver Wendell Holmes
Sonnet 116 - Shakespeare
Sonnet 18 - Shakespeare
Sonnet 29 - Shakespeare
gonewiththewind
Member
The Raven by Edgar Allan Poe
Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
"'Tis some visitor," I muttered, "tapping at my chamber door -
Only this, and nothing more."
Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow; - vainly I had sought to borrow
From my books surcease of sorrow - sorrow for the lost Lenore -
For the rare and radiant maiden whom the angels name Lenore -
Nameless here for evermore.
And the silken sad uncertain rustling of each purple curtain
Thrilled me - filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating,
"'Tis some visitor entreating entrance at my chamber door -
Some late visitor entreating entrance at my chamber door; -
This it is, and nothing more."
Presently my soul grew stronger; hesitating then no longer,
"Sir," said I, "or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you"- here I opened wide the door; -
Darkness there, and nothing more.
Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortals ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word, "Lenore?"
This I whispered, and an echo murmured back the word, "Lenore!" -
Merely this, and nothing more.
Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
"Surely," said I, "surely that is something at my window lattice:
Let me see, then, what thereat is, and this mystery explore -
Let my heart be still a moment and this mystery explore; -
'Tis the wind and nothing more."
Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately raven of the saintly days of yore;
Not the least obeisance made he; not a minute stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door -
Perched upon a bust of Pallas just above my chamber door -
Perched, and sat, and nothing more.
Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore.
"Though thy crest be shorn and shaven, thou," I said, "art sure no craven,
Ghastly grim and ancient raven wandering from the Nightly shore -
Tell me what thy lordly name is on the Night's Plutonian shore!"
Quoth the Raven, "Nevermore."
Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning- little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blest with seeing bird above his chamber door -
Bird or beast upon the sculptured bust above his chamber door,
With such name as "Nevermore."
But the raven, sitting lonely on the placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
Nothing further then he uttered- not a feather then he fluttered -
Till I scarcely more than muttered, "other friends have flown before -
On the morrow he will leave me, as my hopes have flown before."
Then the bird said, "Nevermore."
Startled at the stillness broken by reply so aptly spoken,
"Doubtless," said I, "what it utters is its only stock and store,
Caught from some unhappy master whom unmerciful Disaster
Followed fast and followed faster till his songs one burden bore -
Till the dirges of his Hope that melancholy burden bore
Of 'Never - nevermore'."
But the Raven still beguiling all my fancy into smiling,
Straight I wheeled a cushioned seat in front of bird, and bust and door;
Then upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore -
What this grim, ungainly, ghastly, gaunt and ominous bird of yore
Meant in croaking "Nevermore."
This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom's core;
This and more I sat divining, with my head at ease reclining
On the cushion's velvet lining that the lamplight gloated o'er,
But whose velvet violet lining with the lamplight gloating o'er,
She shall press, ah, nevermore!
Then methought the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose footfalls tinkled on the tufted floor.
"Wretch," I cried, "thy God hath lent thee - by these angels he hath sent thee
Respite - respite and nepenthe, from thy memories of Lenore:
Quaff, oh quaff this kind nepenthe and forget this lost Lenore!"
Quoth the Raven, "Nevermore."
"Prophet!" said I, "thing of evil! - prophet still, if bird or devil! -
Whether Tempter sent, or whether tempest tossed thee here ashore,
Desolate yet all undaunted, on this desert land enchanted -
On this home by horror haunted- tell me truly, I implore -
Is there - is there balm in Gilead? - tell me - tell me, I implore!"
Quoth the Raven, "Nevermore."
"Prophet!" said I, "thing of evil - prophet still, if bird or devil!
By that Heaven that bends above us - by that God we both adore -
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels name Lenore -
Clasp a rare and radiant maiden whom the angels name Lenore."
Quoth the Raven, "Nevermore."
"Be that word our sign in parting, bird or fiend," I shrieked, upstarting -
"Get thee back into the tempest and the Night's Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken!- quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!"
Quoth the Raven, "Nevermore."
And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon's that is dreaming,
And the lamplight o'er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted - nevermore!