Yes, there are some things to complain about in his writing. I think most people would agree that he tends to use one-dimensional characters, and that his plots are repetitive.
Which is my entire argument, and one that I think justifys not liking an author's work. If not, what else?
I don't take away anything from the impact some authors, many of which whose quality is questionable IMHO, have had on the industry-side of the genre. It can be argued that without the tired stories of authors like Eddings, and Terry Brooks, the genre would not be anywhere near as profitable or as large as it is now, and at the very least say it would have taken longer to get to this point.
There is no question, these authors helped establish the financial base for many publishers to carry the works and authors I do like. For instance, China Mieville (the prodigal son of speculative fiction), was published by Del Rey. It can be argued that Del-Rey's current Fantasy Empire is almost 100% attributed to the chance they took on Brooks (thus fantasy) in the late 70's.
And yet, he introduced a lot of us to fantasy (I remember how much I loved his books when I was much younger.) He wrote snappy dialogue, fun characters, and was very clever at times.
My dog is clever at times - and probably more frequently then can be witnessed in Eddings output over the last 10 years.
One of the things I like about fantasy is the variety. There is room for deep character pieces like GAME OF THRONES. But, I think there's also room for some fun adventures like DIAMOND THRONE.
My problem with the
"variety arguement" is that it comes to mean varierty in quality in regards to fantasy for some reason, when it should imply variety in regard to thematic, and stylisitc qualitites.
I have no aversion to light reading, I don't think every good novel is a complex one. Steven Erikson's work I don't find complex or deep at all but is a damn good series; I don't think Robert E. Howard's work was intended to be a character study either but it's excellent work.
What is shocking to me about these "adventure stories" coming out is that nobody seems to be able to write a good one. David Gemmell is given tremendous praise and all he does is write what is essentially the same story over and over - sure I will admit the story is a decent one - but only the first time. That said none of these authors rival the authors who were writing the same types of work years ago like Leiber, the aformentioned Howard, Karl Edward Wagner etc.
Light reading has a place and there are many excellent examples Phillip Pullman for instance, I think Garth Nix does an admirable job, - the classic Richard Adams stories, Lewis Carroll etc.
I give authors like Eddings their respect, they opened doors, no doubt. Unfortunately unlike some older authors like Michael Moorcock, or a M. John Harrison, they have failed to stay relevant in regards to what I like, which is the only justification I need to state I don't like their work and the only criteria that matters to me.
I certainly agree with your statement regarding
"room in the genre for Eddings", and just about anything else, however making room for something, and putting it at the high table are two different things entirely.
Well, after all these nice things I have said about Eddings, my site has an autographed copy of his new book we are giving away so if any are interested let me know!