First, a couple of recent attempts at classic genre settings from this side of the Atlantic:
La Horde is a zombie film set in a French suburb. Not entirely dissimilar to [Rec] (which is excellent and everyone should watch it), but there are no innocents here, as the survivors who have to work together to survive are a group of corrupt cops, a gang of drug dealers, and a half-crazy Vietnam vet (and if you know when France pulled out of Vietnam, you know that he's not exactly a young man). Plays nicely off the various social problems in immigrant-heavy areas, and adds some quite convincing ultraviolence... well-made, recommended to zombie buffs, but perhaps not unmissable.
Cargo. German sci-fi that places itself somewhere between Serenity, Solyaris and 2001. It's the year 2270 and Earth is supposedly uninhabitable. Humanity survives on space stations and the news of a newly discovered paradise that's just like Earth was back in the good old days. So our heroine hires on board a cargo ship to earn her passage there, but something seems to be lurking in the hold... Some really interesting ideas, even if it relies a little too much on unconvincing CGI to set the scenes (which is a pity, as you can see it wants to look really good) and stupid secondary characters to provide plot twists. Excellent performance by the lead character, though.
Then I watched a couple of old Val Lewton movies, because everyone should do that.
The Leopard Man and The Ghost Ship (both 1943) are quite similar, even though one is set in a New Mexico desert town plagued by an escaped leopard (maybe) and another on a coastal ship off California whose captain may or may not be losing his mind. As always with Lewton, you get some amazing black-and-white cinematography (The Leopard Man obviously tries many of the same tricks that worked in Cat People, mostly successfully), a genuine empathy for the secondary characters (often women and minorities - "the poor are poor together"), and the idea that the worst monsters might be inside us. OK, so The Leopard Man suffers from some really creaky plotting, and neither movie comes close to masterpieces like Cat People or The Body Snatcher, but damnit, I like them.