MonkeyCatcher said:
I don't think that believing most bestsellers to be crap is elitist behaviour - surely it is just a matter of opinion? Are you saying that by labelling any book as crap, you are insulting the people who liked it, and adopting elitist behaviour? That in order to avoid this elitist tag you must enjoy everything that you read, in order to make sure that your views don't contradict others?
I agree, MC. And with your latest response to Dogmatix.
Of course most of the books on the bestseller list are crap. But so are most of the books not on the bestseller list. There's no certain correlation, positive or negative, between popularity and quality, but wildly popular success does often mean the lowest common denominator has been struck.
Dogmatix said:
To blanket the best sellers as crap implies that everyone has poor taste.
Nonsense - or should I say
Crap? It does imply that many people have undeveloped taste, brought on by an unwillingness or lack of desire to seek out more interesting stuff. Even
The Shadow of the Wind, pure schlock, is more interesting than most of the bestseller lists, and I found it interesting and entertaining. For the most part though, if I'm honest, I think there's something slightly childish about reading books purely for plot, but I'm not going to deny anyone's (like many of my friends, for instance) right to do so.
Doug Johnson said:
Personally, I think that the vast majority of people who say "bestsellers are crap" are frustrated writers who lack the intellectual honesty, or the self confidence, required to admit that they have no idea how to write one.
"Bestsellers are crap." I'm not a frustrated (or otherwise) writer so I must be part of the tiny minority. You can provide us with the names of those who do conform to your criterion as evidence in support of your theory in due course. I have no idea how to write a bestseller, I'll 'admit' that. But nor do most writers, including bestsellers. They just do the best they can, and a very small number hit the jackpot, coincide with a greater number of readers as much through luck as through judgement. (Though Dan Brown, as I understand it, did write his books by formula, so in that sense he does 'know' how to write a bestseller. However the fact that the first three, written to that formula, didn't become bestsellers except off the back of
The Da Vinci Code sweeps the rug away from even that.) Once they've hit it once, of course, their name helps them stay on the lists with their subsequent books.
Doug Johnson said:
If they were true fans of "good writing" they'd be gushing over Elmore Leonard.
I'm not sure what you mean with "good writing" in quote marks like that. That Leonard is objectively good writing and should be enjoyed by all? Or that Leonard is only supposedly (hence the ironising quotes?) 'good writing,' in which case he shouldn't be enjoyed by all, though that seems to contradict the sense of your statement? Anyway: I read
Get Shorty (or was it
Rum Punch) on the recommendation of that poster boy for 'good writing' Martin Amis ("Leonard is a literary genius who writes rereadable thrillers"), but didn't connect with it at all. The dialogue was often sparky but the whole thing was too plot-driven for my liking.