readingomnivore
Well-Known Member
INFORMATION RECEIVED is the first book in the Bobby Owen mystery series written by E. R. Punshon. It was originally published in 1933, when it received a glowing review from Dorothy L. Sayers, part of her campaign to move the crime novel away from Edwardian melodrama toward more psychological realism and authentic depiction of police work. It was reissued in e-book format in 2015.
Something is amiss from the time Sir Christopher Clarke, ruthless millionaire businessman in the City, demands his solicitor Basil Marsden of Marsden, Carsley, and Marsden, turn over the securities and accounts for the Belfort Trust. Marsden is loath to do so and, after Clarke insists and leave with the file, he confesses to his partner that he's embezzled funds and ruin is eminent. That night, Sir Christopher is found shot to death at home with the Belfort securities and a cache of diamonds missing from his safe. The situation is complicated by the secret marriage of Marsden's partner, young Peter Carsley, to Clarke's daughter Jennie. To prevent the marriage, Clarke burnt his old will; the new will he dictates to Marsden will leave Jennie penniless if she is married at the time of his death. He plans to settle some £40,000 on his stepdaughter Brenda Laing instead of dividing the estate equally between the women. Is the timing of his murder significant? An elderly man had been lurking about Clarke's home, making vague threats. Why does the gift of tickets to the new hit production of Hamlet at the Regency Theatre, for two stall seats, sent to his City office, to his home, and to the solicitor's office, spook Clarke so much?
Most elements--victim and his family and associates, sketchy setting, central plot situation--of INFORMATION RECEIVED are typical of a puzzle plot. In the denouement, Punshon uses three major confessions to explain the disparate plot components. The device used to establish the alibi for Sir Christopher's killer may not be original, and the motive for his murder comes from so deep in the past that it is not adequately foreshadowed.
The protagonist Bobby Owen is the key difference. Owen is an Oxford graduate, but with only a pass degree, athletic ability his major talent, very ordinary, who "...began to realize that in sober fact the detection of crime is not a matter of individual genius, of brilliant and dramatic improvisations on a given theme, but rather the slow collecting of and feeding of facts into a great machine that in the end slowly and ponderously churns out the legal proof required. And he saw that the process is often as dull and tedious a job as that of sitting all day on an office stool, adding up figures--or as he had found his own evening at 'The Green Man,' drinking beer that he did not want and exchanging commonplaces on subjects that didn't interest him with people who interested him still less." (144)
INFORMATION RECEIVED is central to the development of the modern crime novel, but its interest lies more in its transitional nature than to its plot or characters. I doubt that I will follow up on the series. (B)
Something is amiss from the time Sir Christopher Clarke, ruthless millionaire businessman in the City, demands his solicitor Basil Marsden of Marsden, Carsley, and Marsden, turn over the securities and accounts for the Belfort Trust. Marsden is loath to do so and, after Clarke insists and leave with the file, he confesses to his partner that he's embezzled funds and ruin is eminent. That night, Sir Christopher is found shot to death at home with the Belfort securities and a cache of diamonds missing from his safe. The situation is complicated by the secret marriage of Marsden's partner, young Peter Carsley, to Clarke's daughter Jennie. To prevent the marriage, Clarke burnt his old will; the new will he dictates to Marsden will leave Jennie penniless if she is married at the time of his death. He plans to settle some £40,000 on his stepdaughter Brenda Laing instead of dividing the estate equally between the women. Is the timing of his murder significant? An elderly man had been lurking about Clarke's home, making vague threats. Why does the gift of tickets to the new hit production of Hamlet at the Regency Theatre, for two stall seats, sent to his City office, to his home, and to the solicitor's office, spook Clarke so much?
Most elements--victim and his family and associates, sketchy setting, central plot situation--of INFORMATION RECEIVED are typical of a puzzle plot. In the denouement, Punshon uses three major confessions to explain the disparate plot components. The device used to establish the alibi for Sir Christopher's killer may not be original, and the motive for his murder comes from so deep in the past that it is not adequately foreshadowed.
The protagonist Bobby Owen is the key difference. Owen is an Oxford graduate, but with only a pass degree, athletic ability his major talent, very ordinary, who "...began to realize that in sober fact the detection of crime is not a matter of individual genius, of brilliant and dramatic improvisations on a given theme, but rather the slow collecting of and feeding of facts into a great machine that in the end slowly and ponderously churns out the legal proof required. And he saw that the process is often as dull and tedious a job as that of sitting all day on an office stool, adding up figures--or as he had found his own evening at 'The Green Man,' drinking beer that he did not want and exchanging commonplaces on subjects that didn't interest him with people who interested him still less." (144)
INFORMATION RECEIVED is central to the development of the modern crime novel, but its interest lies more in its transitional nature than to its plot or characters. I doubt that I will follow up on the series. (B)