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CattiGuen said:I'd prefer if it was from the point of view of the killer.
Doug Johnson said:Serial killers have no empathy, so I don't think readers would empathize with the narrator.
Stewart said:I've not read it, but isn't Patrick Süskind's Perfume concerned with a serial killer?
Shade said:I don't think it's that important for readers to empathize with the narrator. As long as they're interested in him, all should be well.
If you didn't stay that long, it couldn't have been all that interesting, could it?A book about serial killers doesn't have to be graphic or bloody to be interesting anyway.Doug Johnson said:I don't know. I was looking at a web site today that showed nothing but graphic, bloody pictures of Iraqi war victims. It was interesting, but I didn't stay there very long and definitely wouldn't buy a book like that.
A bit generalised, but we'll go with it.. Reading about people who like to kill would be interesting, so it wouldn't matter if they don't think about much else, as long as the writer is skillful enough. I agree totally with Shade - you don't need to be able to empathise with the narrator, just be interested by them. I've read many books where I have disliked, but still been interested by, narrators; Small Island by Andrea Levy is an example that comes to mind.Serial killers like to kill. They like it so much, they don't think about much else, other than boring stuff like making money, buying food etc.
MonkeyCatcher said:A book about serial killers doesn't have to be graphic or bloody to be interesting
But a writer can just miss out the bits where he is actually killing them. They could write about the chase and his emotions afterwards and it would still be interesting.Doug Johnson said:I agree, but if you tell the story through his eyes, you describe what he's sees, and what he sees is graphic. That's why I think a different point of view works best.
Appolonia said:Jhe murders and dismembers only men guilty of very foul deeds.
Doug Johnson said:Which is a way of making the killer sympathetic, but it's unrealistic.
MonkeyCatcher said:But a writer can just miss out the bits where he is actually killing them. They could write about the chase and his emotions afterwards and it would still be interesting.
Appolonia said:Well yeah, that's why they're listed under 'Fiction'. Seriously, have you had a chance to read Lindsay, Doug?
Doug Johnson said:No. I don't like sympathetic serial killers: one of my pet peeves. Has Lindsay only written the two about Morgan, or has he written others?
Well that is a boring way to tell the story, sure, but as I said before, an able writer could make it work.Doug Johnson said:Right, but IMO, that's a boring way to tell the story. "I knocked. She unlocked the door. I kicked it open. She screamed. I pulled out my knife. In the morning, I ate Rice Crispies for breakfast."
You're using so many generalisations here. Not every serial killer is the same; they don't all have the same motives for killing. You say "most" video thei killings, but I'd say that it was more like a large majority. Who is to say that some don't feel remorse after they have killed, that they wish that this killing urge would just leave them? If there is no known serial killer like than then make one up - that would be interesting, and it is fiction after allIt's also unrealistic. They find the killing thrilling. In their sick mind, it's one of the most exciting things they'll ever do. Many serial killers will video tape it so they can "relive" the experience. So, if they were telling the story, they'd never leave out the details.
Doug Johnson said:I agree, but if you tell the story through his eyes, you describe what he's sees, and what he sees is graphic.