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Which was better: The Da Vinci Code.....or Angels and Demons? And which would you read first, even though Angels is a prequil to Da Vinci Code?
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Both are crap.
Not apparently to the general public. The guy made millions of dollars, not to mention a crappy movie about the book. I'm tired of hearing people bash Dan Brown. It's pretentious of you, eyezOnme. He was smart enough to know how to hype up his book. Can you say the same? That's something.Both are crap.
Who, for the most part, don't read. Or read one book a year.Not apparently to the general public.
I think you'll find that Ron Howard made the crappy movie based on the book.The guy made millions of dollars, not to mention a crappy movie about the book.
I'm not.I'm tired of hearing people bash Dan Brown.
I don't understand why you would think it pretentious to bash Dan Brown. He isn't a good novelist and therefore must take the criticism of his work on the chin. Consider the money made as compensation for the glut of negativity his books have attracted for their general amateurish content. I don't like people using the word pretentious. It gives nothing away about the book.It's pretentious of you, eyezOnme.
I don't believe Brown had much of a say in hyping up his book. That's what the marketing department of a publisher is generally employed to do.He was smart enough to know how to hype up his book. Can you say the same?
So I assume you read them - if not from the first to the last page - then at least the first 1 or 2 chapters to be able to say "Both are crap"?
As I'm about half-way through Foucault's Pendulum, the thought keeps occuring, 'Dan Brown wishes he could write like Umberto Eco when he grows up.'
I kind of doubt that, actually. I think Dan Brown is well aware that well-written books with actual thought behind them would scare off half his readers.
That's not a bad thing. You enjoyed them.1. I read way more than one book a year and, still, I liked Dan Brown's books.
I've not seen the movie and have no desire to. Although I know that one day it's going to be on normal telly and I'll succumb.2. I KNOW that Ron Howard made the movie. Too bad it couldn't have been adapted better to the screen.
There's plenty. They all have his name in them.3. Why not have a "Let's bash Dan Brown" thread, since you never tire of hearing about it.
It may have been pompous, but I fail to see how it was pretentious. eyez0nme's comment was his own opinion; it wasn't a forced comment, it had no intention of being something other than what it was, it wasn't exaggerated the crapness of Brown. I would call it a frustrating response, rather than a pretentious one, since it's no doubt honest but just lacks expansion.4. My point to EyezOnme was that he made a general statement ("Both are crap") and basically walked away. Back it up. Why? Why are they both crap? Making a general statement without backing it up IS pretentious and pompus.
His job is to churn out books as per the terms of his contract, whether it be a two, three, four, or more book contract. For that he'll get his advance and then, as the royalties come in, he'll pay off the advance and then start making profit from his books. But, his first three novels weren't making a splash at all. You'd struggle to find someone who had heard of Dan Brown. So, with the fourth novel, The Da Vinci Code, the sales expected weren't anywhere near the phenomenal numbers we're hearing quoted. He'd be just waiting to rake in whatever royalties he made. The publisher, on the other hand, would be the ones investing in the marketing and the buck would start and stop with them whether they were able to make the book profitable or not. Brown wouldn't have much input and he certainly wouldn't be able to walk without negotiating an end to his contract.5. If the marketing department of the publisher didn't hype-up his book, I'm fairly certain he would have gone somewhere else.
In that case, it says nothing about eyez0nme. It just means that I see it as a bit of unnecessary slating of someone because you either don't understand them or their work and are not willing to try. (I once heard someone in my workplace rhyme off a number of crime thrillers that she liked and then, on the subject of The God Of Small Things, call Arundhati Roy pretentious because she was writing about people and stuff and she found it boring. So you found Roy a boring read: how does that make her pretentious?)6. You said "I don't like people using the word pretentious. It gives nothing away about the book". What the hell does that mean? I called EyezOnme pretentious - not the book. Explain.
In that case, it was the way you wrote it. The "Can you say the same?" made it clear that you intended a parallel. You were suggesting that writers may be interested in the money and publicity of the book but I don't see where, in the conversation leading up to it, there is a natural branch leading into it.7. I never suggested there's a link between reading and writing. I'm not an idiot! What I was suggesting is that most writers would give their right arm to have gotten the publicity (and money) for a book such as Dan Brown has. Isn't that one reason why writers write - to be published and make money?
Anyway, let's get back to discussing the merits of Angels And Demons over The Da Vinci Code, or vice versa. As far as I'm aware, The Da Vinci Code is a carbon copy of Angels And Demons in that they are around the same length, begin the same, proceed the same, and are full of errata. (Brown's wife, as it happens, does all his 'research'.)
I've read quite a few long series. Each book taking up where the previous one left off, adding new characters and including old ones. But, yet, I love reading series. The writing is the same, the length, they usually begin the same and proceed the same. But, as in Dan Brown's books, the plot is different.
No.Is that the criteria for a crappy book?
Subject matter is an irrelevant issue as I'm happy to read books about anything. As I've said before, on countless Dan Brown threads, it's that his prose is extraordinarily clunky (sometimes making little sense), his powers of description are limited to irrelevancies (thinking of a passing building in which he wastes paper telling us an info dump about its history) and don't further the story, and his characters are cartoon versions of real people. That, and the volume of errata that I spotted (and missed) within.Or do you just not like his writing style, his subject matter, his character development?
I've not seen the movie and have no desire to. Although I know that one day it's going to be on normal telly and I'll succumb.