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SillyWabbit said:Ah! Something I just thought of. If you are going to buy all three then you can buy it bound in just a single large formate paperback volume. This is the one I have and has all three novels. It will save you money and it looks good on the shelf.
It's very long winded and very dry ( to my taste ) and boring
What makes Tolkien the mass market success that Peake is not is that Tolkien can be smoothly assimilated into the culture. His stereotypes slide easily into the world of popular fiction. Peake’s grotesques are the opposite of Tolkien’s fairy tale regulars. Peake’s characters and plot are brilliantly idiosyncratic. Tolkien’s entire ensemble of greybeards, evil forces and humanoids is instantly recognised It’s the familiar, with a little gloss, that sells in millions, not the awkwardly unfamiliar. Tolkien’s stated aim was to tell fairy stories, Peake’s stated aim was to break windows. Tolkien has mass sales, Peake has more likelihood of longevity. For Peake was an original visionary where Tolkien was manipulating existing images.
The Gormenghast trilogy is, in my humble opinion, far superior to Lord of the Rings. They are urban fantasy as opposed to epic. Think old crumbling castles etc. One thing you should be aware of is they are depresing and dark. They're are often described as boring as well. They are no easy read, and it's not a light undertaking to start reading. Here's the synopisis from Amazon.co.uk:
Gormenghast is the vast, crumbling castle to which the 77th Earl, Titus Graon, is Lord and heir. Gothic labyrinth of roofs and turrets, cloisters and corridors, stairwells and dungeons, it is also the cobwebbed kingdom of Byzantine government and age-old ritual, a world primed to implode beneath the weight of centuries of intrigue, treachery, manipulation and murder-- a world suggested in a tour de force that ranks as one of the century's most remarkable feats of imaginative writing.
"The Gormenghast trilogy is one of the most important works of the imagination to come out of the age that also produced Four Quartets, The Unquiet Grave, Brideshead Revisited, The Loved One, Animal Farm and 1984" --Anthony Burgess, Spectator
I personally loved the novels - particularly the first two, but Titus Alone wasn't anything like as bad as I expected, it was actually an excellent novel, but just not comparable to the first two.
Strange, I didn't think that at all. That is what I expected it to be, but I found it relatively fast paced compared to a lot of modern fantasy. It's infinitely faster than most Robert Jordan novels, for example, and a lot better in almost all aspects - the writing, the characters, the plot, the atmosphere - than pretty much any other fantasy. I can see it won't appeal to everyone, but I think Moorcock probably got it right:
What makes Tolkien the mass market success that Peake is not is that Tolkien can be smoothly assimilated into the culture. His stereotypes slide easily into the world of popular fiction. Peake’s grotesques are the opposite of Tolkien’s fairy tale regulars. Peake’s characters and plot are brilliantly idiosyncratic. Tolkien’s entire ensemble of greybeards, evil forces and humanoids is instantly recognised It’s the familiar, with a little gloss, that sells in millions, not the awkwardly unfamiliar. Tolkien’s stated aim was to tell fairy stories, Peake’s stated aim was to break windows. Tolkien has mass sales, Peake has more likelihood of longevity. For Peake was an original visionary where Tolkien was manipulating existing images.
Embarrassed to say I have this trilogy for the looooongest time, but haven't yet got around to it. I really want to, but I have read the first few chapters and it is something that the earlier posters have mentioned - it's not something you dip into now and again. It's a long term relationship.
Right now looking at my Black Friday and Cyber Monday Kindle hauls I don't think I'll be getting to Gormenghast anytime soon. In the bucket list, though.