Peder
Well-Known Member
Ah!
Lo and Hum are speaking.
Just a few short lines and I see Shelley Winters in the movie with her emphatic manner of handling her cigarette, for emphasis, to emphasize the emphasis that her whole body language was already making.
In Lo, I imagine a gentler demeanor, but I still recognize exactly the way she holds the cigarette, tapping it -- even though N has said not a word about it. I see it there for the first time, exactly the way Nabokov says he saw it there for the first time.
So, as I read, the movies and the book have merged and become one for me.
And I hear voices, -- that should be obvious
-- but Jeremy Irons' also, from the movie, saying familiar sentences, and I see that blue Melmoth traveling along a country road toward its destiny with a hillside, and so on.
"...the secret of durable pigments, prophetic sonnets, the refuge of art...the only immortality you and I may share, my Lolita."
Peder
Lo and Hum are speaking.
"Sure you don't want to smoke"
She was smoking herself. For the first time I saw her doing it. Streng verbote under Humbert the Terrible. Gracefully, in a blue mist, Charlotte Haze rose from her grave.
Just a few short lines and I see Shelley Winters in the movie with her emphatic manner of handling her cigarette, for emphasis, to emphasize the emphasis that her whole body language was already making.
In Lo, I imagine a gentler demeanor, but I still recognize exactly the way she holds the cigarette, tapping it -- even though N has said not a word about it. I see it there for the first time, exactly the way Nabokov says he saw it there for the first time.
So, as I read, the movies and the book have merged and become one for me.
And I hear voices, -- that should be obvious
"...the secret of durable pigments, prophetic sonnets, the refuge of art...the only immortality you and I may share, my Lolita."
Peder