sirmyk said:
It's in book form, either trade paperback or hardbound... 332 pages front to back. I just thought you might enjoy picking it apart for me. Sometimes torturous criticism is the best thing to improve one's writing.
You want me to pick apart something already published?
I could, but it’s a bit ‘too late now’, dontcha think (if you were to agree with comments – if I even had any, thankfully not every book I read fills up pads of papers with curses and comments).
But really, if you feel it will help you by having me read you, I’m up for it. As it sounds like you’re already post-press what’s the ISBN, I’ll have the local shop order a copy (or tell me wear to buy one online).
MonkeyCatcher said:
This is just your /opinion/ though. I personally enjoyed The Da Vinci Code and I also enjoy reading Harry Potter.
And maybe if you were given a more in-depth look at what a working metaphor is like, how to close loose ends and how a disciplined writer follows a fairly tight structure you would be able to look at them differently. No offense meant. And enjoying and thinking it’s, like, “amazing” are two different things, of course.
_The da Vinci Code_ is immensely popular, but I’m sorry, it’s really a simple fact that it’s written poorly. Andy Warhol is known all over the world, admittedly, he’s not much a painter.
As for JKRolling, I’ve only flipped few the first few books (English and German) and it’s a bit rough to bust on someone for craft when their stated INTENDED audience is free of body hair.
And these two examples of being monumental successes with the older crowd are the pinnacle of my theory that people wouldn’t know “bad” writing if gave them a paper cut on the radial artery.
Therefore if you teach children what is good and bad from an early age, then all they are being taught is the opinion of whoever set the lesson.
I honestly can’t figure out a different way to word this other than what I’ve already written. I’ll think about it during non-work time.
But no, teaching what is bad and good is not brainwashing.
Its opens the mind even more.
Those people did not "diverge from the course" at all.
Oh my.
I can oh so total assure you that no scientist waked up one more and says, “I’ve got it. I’ve got a fact.”
Breaking the grounds of nearly anything is trail and error. And it probably takes years. Picasso didn’t wake up one morning and hit upon, say, Cubisim. He worked up to it, maybe tossed away ideas that would have lead somewhere else. Schoenberg, probably didn’t come up with his “12 tone system” right off the bat. He may have tried for 10 or 27. But all this is diverged from the basics. To get back to books, take a look at Joyce.
(for the sensitive that don’t think I either write enough or make my points sharp enough, this is *not* a history lesson, just some random notes jotted down)
Of course these are thoughts and opinions.. what else are they? They are stating their opinions, such as that the book "sucks" or that they "loved it". Please explain to me how this is /not/ an opinion.
Well, first off, I think you’re tripping over one of the biggest misconceptions going. Everyone is *not* entitled to an opinion.
Ok?
However, everyone *is* entitled to an INFORMED opinion.
Makes the world a we bit better of a place, no? For what _is_ the use of spouting off random nonsense.
I haven’t heard Stevie Wonder’s new album. If I tell you it “sucks” or its “good”, what’s the point?
And “opinion” is a *judgment*. Judgments are based on two or more things.
I like limes better than lemons, and I can tell you why.
If I like limes, “I dunno why, I just do!”, where is the judgment?
If one doesn’t know “good” writing from “bad”, the judgments may very well be flawed.
And of course, this is hardly just about books/writing…
j