I don't think Charles and Wilkie wrote in a similar manner. If they did, how can I loathe one, and love the other?
At the time, Wilkie was in a genre of his own, even if they were serialized in Dickens' magazine.
The Woman In White wasn't the
first mystery novel, I think it was
The Murders in the Rue Morgue by Edgar Allan Poe. But TWIW definitely got people's attention and pioneered a new way of writing.
I first read this book two or three years back which started my obsession with the author.
I came across it because I read an article that Andrew Lloyd Webber was to base his new musical on it. As an avid ALW fan (I've also read
Gaston Leroux beacuse of ALW) I wanted to check out the source material. It's still my favourite book. I read
The Moonstone afterwards too which only cemented my love for his writing. I have only just bought the book though and I read it through again 2 weeks ago.
What I love about Collins, and especially The Woman In White, is his representation of women. There are three very different female characters in TWIW and he deviated from other writers by giving them dimension. Marian is by far my favourite heroine of all time. If anyone ifs familier with the musical version, I think you might agree that ALW destroyed her character by having her act selfishly and also love Walter. It was such a shame.
SPOILER
My one gripe about TWIW is the dated 'twist'. It's really not that shocking by todays standards for someone to steal another's identity, so I can understand the musical changing the secret to the fact that Glyde bore an illegitimate child and drowned it. That's on a pure entertainment point though, as the secret represented Victorian anxieties, which is the main reason for me to read Victorian Literature in the first place: to get an idea of their culture and society.