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"It is difficult for me to talk to you because I really feel duped ... but more importantly I feel that you betrayed millions of readers," Winfrey said to Frey, who wrote the hugely popular "A Million Little Pieces."
Motokid said:I say it's time to leave this whole mess alone
Motokid said:Oprah says...
So now everybody is back peddling to save face....this has gone overboard silly. Oprah stands behind this clown last week, then gets emails gallore from angry fans and now she wants answers....
I say it's time to leave this whole mess alone and stop giving it any press or attention at all.
I hope this dude is bussing tables in a few years.
Novella,novella said:I really disagree with this entirely.
I think Frey acted unethically and I think his publisher looked the other way, at the very least.
Peder said:Novella,
I totally agree with your disagreement! This really shouldn't 'go away.'
And, at the least, somebody's head should roll at the publisher and probably also at Oprah. It is impossible that any observant editor wouldn't have smelled a rat, especially with all the experience they have of books crossing their desks. I'm no genius in reading people, or books, but even I thought it smelled exceedingly funny by the end, and not ha-ha funny either.
Sacking somebody won't solve the problem, but it is at least the conventional punishment and ought to be implemented.
Peder
Publishers toss Booker winners into the reject pile
Jonathan Calvert and Will Iredale
THEY can’t judge a book without its cover. Publishers and agents have rejected two Booker prize-winning novels submitted as works by aspiring authors.
One of the books considered unworthy by the publishing industry was by V S Naipaul, one of Britain’s greatest living writers, who won the Nobel prize for literature.
NI_MPU('middle');The exercise by The Sunday Times draws attention to concerns that the industry has become incapable of spotting genuine literary talent.
Typed manuscripts of the opening chapters of Naipaul’s In a Free State and a second novel, Holiday, by Stanley Middleton, were sent to 20 publishers and agents.
None appears to have recognised them as Booker prizewinners from the 1970s that were lauded as British novel writing at its best. Of the 21 replies, all but one were rejections.
Only Barbara Levy, a London literary agent, expressed an interest, and that was for Middleton’s novel.
She was unimpressed by Naipaul’s book. She wrote: “We . . . thought it was quite original. In the end though I’m afraid we just weren’t quite enthusiastic enough to be able to offer to take things further.”
The rejections for Middleton’s book came from major publishing houses such as Bloomsbury and Time Warner as well as well-known agents such as Christopher Little, who discovered J K Rowling.
The major literary agencies PFD, Blake Friedmann and Lucas Alexander Whitley all turned down V S Naipaul’s book, which has received only a handful of replies.
Critics say the publishing industry has become obsessed with celebrity authors and “bright marketable young things” at the expense of serious writers.
Most large publishers no longer accept unsolicited manuscripts from first-time authors, leaving the literary agencies to discover new talent.
Many of the agencies find it hard to cope with the volume of submissions. One said last week that she receives up to 50 manuscripts a day, but takes on a maximum of only six new writers a year.
Last week, leading literary figures expressed surprise that Naipaul, in particular, had not been talent spotted. Doris Lessing, the author who was once rejected by her own publishers when she submitted a novel under a pseudonym, said: “I’m astounded as Naipaul is an absolutely wonderful writer.”
Andrew Motion, the poet laureate, who teaches creative writing, said: “It is surprising that the people who read it (Naipaul’s book) didn’t recognise it. He is certainly up there as one of our greatest living writers.”
While arguing that the best books would still always find a publisher, he added: “We need to keep the publishers on their toes as good books are as rare as hens’ teeth.”
Middleton, 86, whose books have a devoted following, wasn’t surprised. “People don’t seem to know what a good novel is nowadays,” he said. Naipaul, 73, said the “world had moved on” since he wrote the novel. He added: “To see that something is well written and appetisingly written takes a lot of talent and there is not a great deal of that around.” “With all the other forms of entertainment today there are very few people around who would understand what a good paragraph is.”
No, not a lot more faith in publishers than say in media networks or the NYT both of whom do exact some penalty from employees who impact their image (known as profits), including people going out the door.Motokid said:Placing a lot of stock in publishers huh Peder?
HARDCOVER NONFICTION
Top 5 at a Glance
1. FOR LACI, by Sharon Rocha
2. MARLEY & ME, by John Grogan
3. MY FRIEND LEONARD, by James Frey
4. THE WORLD IS FLAT, by Thomas L. Friedman
5. THE YEAR OF MAGICAL THINKING, by Joan Didion
No debate about the meaning of memoirs and memory will clear the air around James Frey, the author of "A Million Little Pieces," and his publisher, Nan Talese of Doubleday. But what happened yesterday on Oprah Winfrey's couch came close. In a remarkable moment of television, Ms. Winfrey did what we have so often waited for public figures to do: she admitted openly that she had made a mistake in supporting Mr. Frey. Then she did her best to force him, and Ms. Talese, to admit the extent of his deception and the publisher's failure.
Miss Shelf said:That article about the Booker rejects that Moto posted is disheartening for beginning writers. It seems if you aren't already a celebrity, or have something that marketers can seize on, you don't have a prayer of being published by the big houses.