About two weeks ago, I went to see Roger Waters perform Pink Floyd's
The Wall. And yeah, it was... impressive, to say the least. Music-wise, there's nothing very surprising, of course; his band pretty much recreates the songs exactly as they sounded 30 years ago, which is a bit... eh, but hey, it used to be one of my favourite albums (probably still is on some level) and I'd long since given up any hope of hearing it performed live, so I'll take it. But the show... wow. With modern projection techniques you can do a lot of stuff you couldn't do in 1980, and so that huge wall they build across the stage turns into a canvas where Waters can project (in every sense of the word) both the original concept of the album and what it means now, but also making it more than just a video screen; the wall itself becomes an actor. (And that's not counting the obligatory flying pigs, planes crashing into the stage, 10-metre-puppets walking across the stage, etc) He plays down the (presumably slightly embarrassing to a 67-year-old multi-millionaire) tortured rock star angle and dials up the politics, hammering the audience with a barrage of images - cartoons, TV news, images of dead soldiers and activists, youtube clips, 3D animation, quotes from Orwell, Kafka, Orwell, Eisenhower, Orwell, Pink Floyd, Orwell... OK, so
The Wall doesn't
quite let itself be completely repurposed as a 2011 anti-war anti-authority anti-media molotov, and there are some bits where it feels like he misses his own point a bit or doesn't take it as far as he might have (if you're going to do "Waiting For The Worms" in Europe in 2011, update the iconography, damnit) but hey, it's only rock and roll and I like it, like it, yes I do.
YouTube - [HD] Roger Waters - Run Like Hell - Chicago 9/20/10