Orphan (2009)
About a maid I'll sing a song, sing rickety-tickety-tin
About a maid I'll sing a song
Who didn't have her family long...
Yes, it's the ol' "creepy child" ploy, eh? Married couple with a history of cheating (him) and drinking (her) have pieced it all together and are about to have a third child... except the wife miscarries. And so instead, they adopt an adorable little Russian girl, who with her accent and her shy smiles nestles her way into the hearts of her adopted parents and sister, while her adopted brother comes off as a spoiled brat just looking for attention... except then it gradually becomes clear that something is
wrong with this girl. She has more in common with Wednesday Addams than just her dress sense.
It's a story that shouldn't work as well as it does. Because really, it does. It is, in fact, quite creepy and disturbing. It
should be too obvious, the explanation
should be too preposterous, but they play it so straight you almost find yourself wondering if it's not just all a misunderstanding -
obviously a child who dresses like a cartoon villain can't be
really bad, right? It's shot by a director who's studied his early Cronenberg (particularly
The Brood, of course). And it's carried by the creepiest child actor performance I've seen since
Let The Right One In; if 12-year-old Isabelle Fuhrman looks like an Evil Child cliché at the beginning of the movie, just wait until the end. The transformation... sorry, transformation
s are... woah. Did I say "disturbing" already?
You'll see most of it coming, you'll be annoyed with some of the characters, you'll wish it were 15 minutes shorter, but damn, it's got...
something.
Paranormal Activity (2007)
With ghost hunter shows so popular, let's do a horror movie on the subject. A couple who just moved into a house together start hearing...
things at night. Something's haunting them. They summon a paranormal expert who feels the house's aura, as those guys are wont to do, and tells them it's not the house that's haunted, it's her. (Of course it's the woman.) So moving out won't do any good. But have no fear, it's the man of the house to the rescue! He buys a camera and a ouija board, sets up the camera in the bedroom to record what happens every night, and starts taunting the ghost and tell it to do its worst.
The ghost takes him up on his offer. The movie, supposedly, is the result: the edited tapes found in the camera afterwards.
Apparently shot on a budget of $15,000 with one camera, four actors and no special effects, it's probably easy to compare this to
Blair Witch Project, though the actual stories have little to no similarity - if anything, this is a spiritual successor of
Ju-On: The Grudge. And there are things about it that are pretty effective; especially the long, sped-up takes of the bedroom at night, where we watch them sleeping while the hours tick away on the camera's time indicator... and then suddenly slows down to normal time and we
know something is going to happen. With no background music, no hint that it's
not just two ordinary people being harrassed by
something, it plays the authenticity card very nicely. But it's got two major problems:
1) The whole thing depends on everyone - especially the man of the house - acting like complete idiots, which may or may not be realistic but almost makes you cheer for the ghost. So, they can't leave. What do we do then? Just shrug and accept that, apparently. Oh, and piss off the ghost some more. Seriously, stop pulling the tiger's tail already.
2) By making the characters rather unlikable fools without much depth, we miss much of the opportunity for actual, y'know, horror, to make it about people rather than ghosts. We don't get inside them, and what remains of the horror movie is just shock. Suddenly, a door slams! Somebody screams! The lights come on! Yes, you'll jump out of your seat, but it's just a ride, it's just a haunted building.
Interesting effort, and worth applause for the way it does a lot with a little, but could have been better.