readingomnivore
Well-Known Member
TO MAKE YOU LOVE ME is Cassandra B. Leigh's variant on Jane Austen's Pride and Prejudice. It was published in digital format in 2015.
I do not see the point of this adaptation. The only significant change is to present the story entirely from Darcy's point of view. Leigh adds details, such as Darcy's telling the Matlocks of his engagement and Bingley and Darcy's exchange over Darcy's interference, but otherwise does not alter the sequence or import of events in Austen's original. She adds only three named characters, the Matlocks and a gardener/fishing guide at Pemberley. Leigh's characters are reasonably faithful to the originals.
The book is longer than the story justifies. Leigh pads it with Darcy's dreams, every letter or note Darcy sends or receives, all toasts, full particulars of Lydia's marriage settlement, terms of agreement between Darcy and Wickham to bring that wedding about, and full disclosure of Elizabeth's marriage contract. There is little external conflict; Wickham quickly capitulates when found, while Lady Catherine contents herself with indignation at Elizabeth's intransigence at Longbourn and a vituperative letter to Darcy. The Matlocks fully support Darcy's choice.
The important conflict in TO MAKE YOU LOVE ME is internal--Darcy's repetitions of Elizabeth's accusations in her refusal. They become tedious, but they show Darcy's changing attitude, making the alteration believable. They also point out an important similarity between Darcy and Mr. Bennet. Darcy's failure to neutralize Wickham following Georgiana's foiled elopement and failure to explode Lady Catherine's delusion of Anne's marriage echoes Mr. Bennet's refusal to exercise family leadership--avoidance. Keep the peace. Ignore unpleasaant duties and maybe they'll go away. Darcy's attitude is explicitly stated: "Suddenly remembering that he was expected for dinner, he turned and made his way to the house; he dared not anger his aunt.* Despite her frequent lectures on his family obligations and veiled references to his expected engagement to Anne, her wrath would be tempted to the limit if he was late to dinner." Darcy's turning his back on company to gaze out a window, ignoring people and making no effort to participate, differs from Mr. Bennet's retreat to his book room only in physical presence.
I wish Austen fan fiction writers would post largely above their keyboards "NO NOUN, WHETHER SINGULAR OR PLURAL, CONTAINS AN APOSTROPHE UNLESS IT IS ALSO POSSESSIVE." End of rant. There's not much else wrong editing. But why bother when so little is added or changed? (C)
*emphasis added
I do not see the point of this adaptation. The only significant change is to present the story entirely from Darcy's point of view. Leigh adds details, such as Darcy's telling the Matlocks of his engagement and Bingley and Darcy's exchange over Darcy's interference, but otherwise does not alter the sequence or import of events in Austen's original. She adds only three named characters, the Matlocks and a gardener/fishing guide at Pemberley. Leigh's characters are reasonably faithful to the originals.
The book is longer than the story justifies. Leigh pads it with Darcy's dreams, every letter or note Darcy sends or receives, all toasts, full particulars of Lydia's marriage settlement, terms of agreement between Darcy and Wickham to bring that wedding about, and full disclosure of Elizabeth's marriage contract. There is little external conflict; Wickham quickly capitulates when found, while Lady Catherine contents herself with indignation at Elizabeth's intransigence at Longbourn and a vituperative letter to Darcy. The Matlocks fully support Darcy's choice.
The important conflict in TO MAKE YOU LOVE ME is internal--Darcy's repetitions of Elizabeth's accusations in her refusal. They become tedious, but they show Darcy's changing attitude, making the alteration believable. They also point out an important similarity between Darcy and Mr. Bennet. Darcy's failure to neutralize Wickham following Georgiana's foiled elopement and failure to explode Lady Catherine's delusion of Anne's marriage echoes Mr. Bennet's refusal to exercise family leadership--avoidance. Keep the peace. Ignore unpleasaant duties and maybe they'll go away. Darcy's attitude is explicitly stated: "Suddenly remembering that he was expected for dinner, he turned and made his way to the house; he dared not anger his aunt.* Despite her frequent lectures on his family obligations and veiled references to his expected engagement to Anne, her wrath would be tempted to the limit if he was late to dinner." Darcy's turning his back on company to gaze out a window, ignoring people and making no effort to participate, differs from Mr. Bennet's retreat to his book room only in physical presence.
I wish Austen fan fiction writers would post largely above their keyboards "NO NOUN, WHETHER SINGULAR OR PLURAL, CONTAINS AN APOSTROPHE UNLESS IT IS ALSO POSSESSIVE." End of rant. There's not much else wrong editing. But why bother when so little is added or changed? (C)
*emphasis added