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This is demonstrbly the most lyrical opening to a novel in all modern fiction. There is no mistaking the ecstasy of love. Here, if ever proof were needed, is an example of the great writer as enchanter.Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of the tongue taking a trip of three steps down the palate to tap, as three, on the teeth. Lo. Lee. Ta.
She was Lo, plain Lo, in the morning, standing four feet ten in one sock. She was Lola in slacks. She was Dolly at school. She was Dolores on the dotted line. But in my arms she was always Lolita.
In the summer of 1960 Nabokov made a screenplay of Lolita for the director Stanley Kubrick, who would eventually turn this into a film, with James Mason adding his own, peculiarly English blend of dark sarcasm to the role of Humbert Humbert.
According to Nabokov's enlightened opinion, "A work of art cannot be obscene." Montaigne, at the outset of Enlightenment thinking, adhered to the classical maxim: "Nothing human is alien to me." Yet instead of merely casting aside our alienation, Nabokov's Humbert surreptitiously encourages us to revel in his humanity, or at least his form of it. Reading Lolita is a highly enjoyable experiece, even as it is an aesthetic one. Our wonderment at the sheer literary skill, and what it describes, are one and inseparable--which is far from the case with commonplace gymnastic pornography. It is worth bearing all this in mind as one wanders in delight down the primrose path of Nabokov's pedophiliac prose.
Pontalba,pontalba said:Peder
I'll be glad to see your views on Strathern's comments regarding Ada. Having not read Ada yet, his comments were not what I would have expected as compared to his analysis of the rest of Nabokov's work.
Oh No! Anything but the coffee!!!StillILearn said:I think somebody should take you two's coffee away from you for a coupla days so's the rest of us can have at least a small chance of catching up with you. We slowpokes can hardly see to read the books we've got, what with all the dust you're leaving us in.
Aw, Still,StillILearn said:I think somebody should take you two's coffee away from you for a coupla days so's the rest of us can have at least a small chance of catching up with you. We slowpokes can hardly see to read the books we've got, what with all the dust you're leaving us in.
StillILearn said:The whir of pages turning around this place sounds like bumblebees in a daisy patch.
Where the jails are made of tin,Peder said:
Or it could be just the buzzin of the bees in the sycamore trees on the big rock candy mountain.
StillILearn said:I don't s'pose we could talk you two into rereading Lolita about four or five times while we try to catch up?
pontalba said:Where the jails are made of tin,
And you can walk right out again jes as soon as you walk in...
Yay! and Phew!Mason had been the first choice to play Hum, according to Harris, but he was determined to do a play on Broadway. Then the film-makers approached Olivier; he said yes, but his agency (whose clients included Kubrick and Harris), dissuaded him. They asked David Niven; Niven said yes, but his agency talked him out of it. Evidently the cinematocracy was suspicious of these two kids who wanted to film Lolita. 'They knew,' recalls Harris, 'that we weren't going to make Tammy. In the end, Mason agreed to be Humbert
Oh Yeaaahhhh!But beneath the matter of his roles was the manner of his performing: the good manners of breeding, understatement, sufferance. And the famous voice: the plummy diction that could make the most egregious proposition seem like a royal summons. These were the qualities Kubrick wanted in his screen Humbert. ...................'Sue Lyon he directed very carefully, but James had got all worked out already.' Both men knew that Mason had Humbert's soul in his piercing, hooded eyes. They could express agony at a glance.