Humbert
So! Humbert, finally.
I think it may have been
MonkeyCatcher, way back, who commented that the end of the novel seemed disconnected, hurried, and also chaotic, maybe. She, or someone, said it just at the time I was rereading and noticing that there were indeed not many pages left to wrap up all the things that I remembered happening before it was all over.
That makes it more difficult to get a good fix on Humbert, because it shrinks out the time necessary to have seen any character development in him, if indeed there was to have been any. He is Humbert the Monster before he finds Lolita, and Humbert the Penitent from there on.
His sudden contrition and his sudden love would have been more believable if we had been able to see them developing over time, instead of just appearing suddenly. Along this line of thought, however, there is still the intriguing possibility prompted by Appel's note about Humbert having solipsized Lo. Perhaps, through a careful textual reading one might see a gradual lessening of self-absorption in Humbert and a gradual awakening of a greater realization of Lo's existence as a real living person with her own wants and needs and hopes. Perhaps, but it does not come readily to my memory without rereading. Which isn't to say it doesn't exist.
Looking at it fom the other end, we would find them more believable if the story went on and we could see his love and contrition played out in the future, in a truly loving relationship toward her and a suppression of his sexual hunger. That we are not given to see either, of course, because the story ends.
But, but, but! There
is one thing that he does do for her! And it is found in the confessional manuscript that he leaves with his jailers for later publication. In that document itself, he says that, early on, he decided to abandon any attempt to write it to exonerate himself, but rather to write it honestly and truly, "to save not my life, but my soul.". At the end he clearly has abandoned any hope of exoneration, and in fact expects to be executed.
But the one last thing that he hopes he accomplishes is to achieve immortality for his best, one and only, beloved, Lolita, in the only immortality she will ever have.
"Aurochs and angels, the secret of durable pigments, prophetic sonnets, the refuge of art .... "
I see the ending as Humbert in effect saying to the State: "Here is my life. Take it! But in return I give you this manuscript for the immortality of my beloved Lolita."
Which brings to mind Sidney Carton's words, "Tis a far nobler thing I do than ever I have done before, and a more restful sleep I go to than ever I have had before."
Which, going one step back again, is a riff on "What greater thing can a man do than to lay down his life for another?"
--
So, did he love her? I am a pushover for a sob story and my answer has to be yes. Else why have I read the whole thing?
Did he conquer his obsession? That is less clear, but I think it hinges on what one is prepared to believe about those eight words.
"Reprieve" is a word he did not utter, but which raises two questions. Reprieve of whom? And reprieve from what? I suggest he meant reprieve of her, Lolita, from his demands, both on her freedom and sexually. I don't think he went there simply to recapture her for his own selfish ends.
And would it "have made all the difference?" Yes indeed it would have.
So, I give him the benefit of the doubt.
That's my Rohrschach answer
Peder