StillILearn said:
Flat out flummoxed and flabbergasted, Peder. Also amazed, astonished, staggered, nonplussed, confounded; perplexed, confused and mystified.
But
almost ready for more.
Almost.
SIL,
That was my reaction entirely, to just the single scene by itself at the gate! I did a genuine full triple-take and had to reread to believe what I had just reread. I was just so stunned that this man, who can hide clues out of sight so cleverly that one can hardly find them, and definitely constructs them not to be visible on the first reading, no matter how careful, could hold a clue out in front of my eyes for the whole novel, in full sight, and then spring it like a trap on me, unsuspecting fool, as a key moment in the novel!
I was flat out goggle-eyed, speechless, with my jaw hanging opened, and my reading apparatus completely unwilling to go further. I have never seen anything like that! And I was really stunned in admiration.
As for the second question, which I assume
Pontalba has answered for you, that was a very slow dawning realization for me. There he 'gave me the opportunity,' as one says, to look high and low for the clue and believe me I really did. But finally I remembered what Sherlock Holmes said. When all the possibilities are eliminated, then it has to be the impossibility that is the correct one. So I grudgingly accepted what had to be so and then, true romantic, as you so accurately pegged me, I saw how really beautiful the ending was. And, more especially, it fits because as VN says at the very end of
Speak Memory, once you see it you can't unsee it.
And that leaves number three.
But, re more Nabokov, ready when you are, or Woolf instead. Fully as beautiful in her writing and heart-wrenching in her scenes. At least judging from
Mrs. Dalloway. But one at a time.
Now let me see if I come out the same rabbit hole I went down.
Peder