StillILearn said:
Ooops. Perhaps that was not 'you'.
VN was decidedly cruel to this 'Lyuba Serafimovna Savich'. Do you suspect that he was referring to an actual woman, and do you also suspect that he may have been doing this to somehow placate and reassure his "first reader"?
pp. 83/84
SIL,
I don't know what to make of it myself. He certainly has uncharitable thoughts. But then, there are a few unusual things about the style that stand out to me in this book.
First of all, he announces there will be three or four wives, for reasons I can't quite understand. It seems to me that takes some of the suspense out of it. Without such mention, one could come across each new woman with the hopeful question "Is this going to be the one?" or "Is this the one that is going to be like Vera?" (I do that anyway -- silly me.) But instead, logic suggests wondering "So how he is going to get rid of this one?"
For the demise of Iris he announced she had 15 minutes to live, again seemingly needlessly. But there I suppose one might argue that it heightened reader attentiveness to the last carefree minutes of her life.
I think overall he was being deliberately "different."
How to portray a character who might be mistaken for himself? Well, perhaps as a cad, the opposite of his self-image (and of himself IMO).
How to write the plot to dispose of women (or characters)? Well not the same way each time, certainly -- at least not for VN. (Brings to mind
50 Ways to Leave Your Lover in fact.
) So one gets murdered, one is just 'not his type,' no matter how sweet and well-meaning, and we'll see what happens to the next, and wonder beforehand whether
she will be able to type like Vera.
It seems to me that
Harlequins has a different "attitude" or "style" than his other novels -- in line with his desire seemingly to never repeat himself -- and that he also never shied away from presenting unappealing kinds of characters or situations.
Someone (maybe Geoffrey Green of "Freud and Nabokov") once asked, in evident exasperation, something like: "What is one to make of an author who, when he writes his supposedly factual biography (
Speak Memory) writes it with all the artistry of a fictional novel -- and actually had one chapter published as fiction -- and who, when he writes a supposedly fictional biography writes it as a parody of his own factual life and career?"
What indeed?
I think Nabokov was simply expanding the limits of his own artistic craftsmanship -- always.
And to satisfy what he called his own "aesthetic bliss."
So to get back to your question. How does one write of one's lack of interest in a person? VN decided not to just vague the person away, but to describe exaggeratedly the feelings one might have. And it jars us, or at least me, who always likes nice happy story lines with nice happy feel-good endings. And we haven't seen a happy boy-girl ending yet I don't think. Iris had the makings, but it just isn't his way it seems. /sigh/
PS L-S-S
did have some of the characteristics of Vera, in her typing skill, but was obviously
not Vera. I think that is clearly VN mixing factual characteristics of people he has known into his fictional mix of story-telling. Every so often one does see some actual reality. One just never knows when.
.
Peder