pontalba
Well-Known Member
Oh phooey on the guy with the "u"! I'm talking common sense!
And it is common sense. We like what we are familiar with in life. Humans are creatures of habit, yes? For better or worse.
Now (mumble, mumble) to get back to the non-murder mystery within the story......later.
I love the description of Clare's relationship with Sebastian. It seemed to so parallel Vladimir and Vera's. The typing of his manuscripts, the "orgy of corrections". His search for exactly the right combination of words.
If you like. LOL..
And it is common sense. We like what we are familiar with in life. Humans are creatures of habit, yes? For better or worse.
Now (mumble, mumble) to get back to the non-murder mystery within the story......later.
I love the description of Clare's relationship with Sebastian. It seemed to so parallel Vladimir and Vera's. The typing of his manuscripts, the "orgy of corrections". His search for exactly the right combination of words.
and...And Clare, who had not composed a single line of imaginative prose or poetry in her life, understood so well (and that was her private miracle) every detail of Sebastian's struggle, that the words she typed were to her not so much the conveyors of their natural sense, but the curves and gaps and zigzags showing Sebastian's groping along a certain ideal line of expression.
I know too that as Clare took down the words he disentangled from his manuscript she sometimes would stop tapping and say with a little frown, slightly lifting the outer edge of the imprisoned sheet and re-reading the line: "No, my dear. You can't say it so in English." He would stare at her for an instant or two and then resume his prowl, reluctantly pondering on her observation, while she sat with her hands softly folded in her lap quietly waiting. "There is no other way of expressing it," he would mutter at last. "And if for instance," she would say--and then an exact suggestion would follow.
"Oh, well, if you like," he would reply.
If you like. LOL..