pontalba
Well-Known Member
Peder, remember that Breaca found that reference on p.65 about Arthur's sister? The whole reverie has the childish quality about it of playing, perhaps with ones sister or at least of 2 children. Was he perhaps trying to recapture childhood happenings?Peder said:Three cheeers for the talisman! Never thought of that!
Pontalba,
That reverie of his goes from page 54 to 57, almost four full pages!
And I think anyone knowing of it would say "Arthur, you are out of your bleeping mind to think anything remotely like that is ever going to happen! You will be on the run from here 'til Doomsday, and you'll never have a moment's rest!"
I've heard of reveries, and then there are reveries and there are reveries, but that one absolutely takes the cake!
I've been wondering if that counts as VN's parody of a reverie.
Or if Nabokov was using it to indicate just how far out of his mind Arthur was with his scheme.
It goes beyond anything I have read in terms of fable-like quality (i.e. fabulous in the literal meaning of the word).
And it certainly sets the backdrop for how differently things will soon be turning out.
On that train, Arthur is certainly riding for a fall.
Totally amazing!
Humbert was much more realistic,
Peder
And in re-reading the last scenes, he has 'flash-backs' of items recently seen. Such as p.73:
....fleeting glimpses of incidental epherma--some bridge over speeding railway cars, an air buble in the glass of some window, the dented fender of a car, some other object, a waffle-patterned towel seen somewhere not long ago--and meanwhile.....
That just struck me as...odd. You'd think his mind would be strictly on the girl at that point. One reason that was included that I can think of is that sort of a premonition? Partially at least.